Venice, Palazzo Dario

Paris, Bernheim-Jeune, Claude Monet: “Venise,” May 28–June 8, 1912, cat. 19, as Le Palais Dario. Boston, Brooks Reed Gallery, Monet. Venise, late Oct. 1912. Boston, Brooks Reed Gallery, Tableaux Durand-Ruel, Mar. 1921. Art Institute of Chicago, Exhibition of the Mrs. L. L. Coburn Collection: Modern Paintings and Watercolors, Apr. 6–Oct. 9, 1932, cat. 26. Art Institute of Chicago, ”A Century of Progress”: Loan Exhibition of Paintings and Sculpture for 1934, June 1–Oct. 31, 1934, cat. 221. University of Chicago, Lexington Hall, Nov. 28–Dec. 19, 1951, no cat. Chicago, Remington Rand, window display, Apr. 14–30, 1952, no cat. University of Chicago, Lexington Hall, Mar. 1–20, 1954, no cat. University of Chicago, Lexington Hall, Feb. 25–Mar. 11, 1955, no cat. University of Chicago, College of Humanities, Feb. 27–Mar. 16, 1956, no cat. Park Forest (Ill.) Art Center, Mar. 25–Apr. 22, 1956, no cat. Art Center in La Jolla (Calif.), Great French Paintings, 1870–1910, June 15–July 26, 1956, cat. 10 (ill.). Art Institute of Chicago, The Paintings of Claude Monet, Apr. 1–June 15, 1957, no cat. no. New York, Museum of Modern Art, Claude Monet: Seasons and Moments, Mar. 9–May 15, 1960, cat. 97; Los Angeles County Museum, June 14–Aug. 7, 1960. Art Institute of Chicago, Paintings by Monet, Mar. 15–May 11, 1975, cat. 113 (ill.). Fort Worth, Tex., Kimbell Art Museum, Monet and the Mediterranean, June 8–Sept. 7, 1997, cat. 93 (ill.); New York, Brooklyn Museum of Art, Oct. 10, 1997–Jan. 4, 1998. Toronto, Art Gallery of Ontario, Turner; Whistler; Monet, June 12–Sept. 12, 2004, cat. 88 (ill.); Paris, Galeries Nationales du Grand Palais, Oct. 12, 2004–Jan. 17, 2005; London, Tate Britain, Feb. 10–May 15, 2005. Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 89 (ill.). Rouen, Musée des Beaux-Arts, Éblouissants reflets: Cent chefs-d’oeuvre impressionnistes, Apr. 29–Sept. 30, 2013, cat. 155 (ill.). London, The National Gallery, Monet & Architecture, Apr. 9-July 9, 2018, plate 193 (ill). Art Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 74. Brooklyn Museum, Monet and Venice, Oct. 10, 2025–Feb. 15, 2026, pl. 19; Fine Arts Museums of San Francisco, de Young Museum, Mar. 21–July 26, 2026.

Bernheim-Jeune, Claude Monet: “Venise,” with a preface by Octave Mirbeau, exh. cat. (Bernheim-Jeune, [1912]), cat. 19. Gustave Geffroy, “La Venise de Claude Monet,” La dépêche de Toulouse, May 30, 1912, p. 1. “Art et curiosité: Une féerie de lumière et de couleur; Venise vue par Cl. Monet,” Le temps, June 11, 1912, p. 4. Henri Genet, “Beaux-Arts et curiosité. Les ‘Venise’ de Cl. Monet,” L’opinion, June 1, 1912, p. 698. American Art Association, New York, Illustrated Catalogue of Highly Important Old and Modern Paintings of Sterling Artistic Distinction belonging to Mr. Arthur B. Emmons, Newport, to the Estate of the Late Thatcher M. Adams, New York, to the Private Collector Mr. Joseph F. Flanagan, Boston, Collections of the late Mr. Henry Sayles, Boston and Mrs. Harris B. Dick, New York, and Other Estates and Private Owners (American Art Association, Jan. 14, 1920), lot 42 (ill.). “Revue des ventes. New York,” Le journal des arts, Feb. 21, 1920, p. 3. “Collections Emmons, Flanagan Sayles et autres à New York,” La chronique des arts 4 (Feb. 29, 1920), p. 32. Gustave Geffroy, Claude Monet: Sa vie, son temps, son oeuvre (G. Crès, 1922), opp. p. 312 (ill.). Art Institute of Chicago, Exhibition of the Mrs. L. L. Coburn Collection: Modern Paintings and Watercolors, exh. cat. (Art Institute of Chicago, 1932), p. 20, cat. 26. Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture, 1934, ed. Daniel Catton Rich, exh. cat. (Art Institute of Chicago, 1934), p. 38, cat. 221. Oscar Reuterswärd, Monet: En konstnärshistorik (Bonniers, 1948), pp. 254, fig. 121; 255; 288. Art Center in La Jolla, Great French Paintings, 1870–1910, exh. cat. (Art Center in La Jolla, 1956), p. 13, cat. 10 (ill.). Art Institute of Chicago, “Catalogue,” Art Institute of Chicago Quarterly 51, 2 (Apr. 1, 1957), p. 34. William C. Seitz, Claude Monet: Seasons and Moments, exh. cat. (Museum of Modern Art, New York/Los Angeles County Museum of Art/Doubleday, 1960), p. 63, cat. 97. Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 322. James Speyer, “Twentieth-Century European Paintings and Sculpture,” Apollo 84, 55 (Sept. 1966), p. 222. Susan Wise, ed., Paintings by Monet, exh. cat. (Art Institute of Chicago, 1975), p. 170, cat. 113 (ill.). James Speyer and Courtney Graham Donnell, Twentieth-Century European Paintings (University of Chicago Press, 1980), p. 59, cat. 3B4; microfiche 3, no. B4 (ill.). Daniel Wildenstein, Claude Monet: Biographie et catalogue raisonné, vol. 4, Peintures, 1899–1926 (Bibliothèque des Arts, 1985), pp. 240; 241, cat. 1757 (ill.); 385, letter 2012a; 430, pièces justificatives 239, 240, 241; 431, pièce justificative 294; 432, pièce justificative 313. Daniel Wildenstein, Claude Monet: Catalogue raisonné, vol. 5, Supplément aux peintures: Dessins; Pastels; Index (Wildenstein Institute, 1991), p. 118, cat. D404. Andrew Forge, Monet, Artists in Focus (Art Institute of Chicago, 1995), pp. 65; 103, pl. 32; 109. Daniel Wildenstein, Monet, or The Triumph of Impressionism, cat. rais., vol. 1 (Taschen/Wildenstein Institute, 1996), p. 389, cat. 1757 (ill.). Daniel Wildenstein, Monet: Catalogue raisonné, vol. 4, Nos. 1596–1983 et les grandes décorations (Taschen/Wildenstein Institute, 1996), pp. 822–24, cat. 1757 (ill.). Pablo García Sainz, ed., “Los Pintores de Venecia,” Saber ver: Lo contemporáneo del arte 37 (Nov.–Dec. 1997), pp. 71, 72 (ill.). Joachim Pissarro, Monet and the Mediterranean, exh. cat. (Kimbell Art Museum/Rizzoli, 1997), pp. 164; 167, pl. 93. Matthias Arnold, Claude Monet, Rowohlts Monographien (Rowohlt, 1998), p. 141 (ill.). Translated by Anne Wyburd, Monet (Haus, 2005), p. 145 (detail). Norio Shimada and Keiko Sakagami, Kurōdo Mone meigashū: Hikari to kaze no kiseki [Claude Monet: 1881–1926], vol. 2 (Nihon Bijutsu Kyōiku Sentā, 2001), pp. 130, no. 253 (ill.); 191. Katharine Lochnan, “Turner, Whistler, Monet: An Artistic Dialogue,” in Turner; Whistler; Monet: Impressionist Visions, ed. Katharine Lochnan, exh. cat. (Art Gallery of Ontario/Tate Publishing, 2004), p. 35. John House, “Tinted Steam: Turner and Impressionism,” in Turner; Whistler; Monet: Impressionist Visions, ed. Katharine Lochnan, exh. cat. (Art Gallery of Ontario/Tate Publishing, 2004), p. 49. Sylvie Patin, “The Last Act: Turner, Whistler and Monet in Venice,” in Turner; Whistler; Monet: Impressionist Visions, ed. Katharine Lochnan, exh. cat. (Art Gallery of Ontario/Tate Publishing, 2004), pp. 206; 212; 213, no. 88; 214, no. 88 (ill.). Stephen F. Eisenman, “Death and Tourism: Claude Monet’s Paintings of Venice,” in Value: Art: Politics: Criticism, Meaning and Interpretation after Postmodernism, ed. Jonathan Harris (Liverpool University Press, 2007), p. 141, fig. 11. Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), p. 171, cat. 89 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), p. 171, cat. 89 (ill.). Philippe Piguet, Monet et Venise, rev. and complete ed. (Herscher, 2008), pp. 110-11 (ill.). Ségolène Le Men, “Un horizon de peinture,” in Sylvain Amic, Eblouissants reflets: Cent chefs-d’œuvre impressionnistes, exh. cat. (Réunion des Musées Nationaux-Grand Palais/Musée de la Ville de Rouen, 2013), pp. 281; 284, cat. 155 (ill.). “Cat. 45: Venice, Palazzo Dario, 1908” in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/monet/reader/paintingsanddrawings/section/135470. Richard Thomson, Monet and Architecture, exh. cat. (National Gallery Company London/ Yale University Press, 2018), pp. 204, 205, plate193 (ill), 229, 248. Gloria Groom, et. al. Monet and Chicago, exh. Cat. (Chicago: Art Institute, 2020), 20, 31, 118 (detail ill.), 119 cat. 74, 140. Lisa Small and Melissa E. Buron, eds., Monet and Venice, exh. cat. (New York: Rizzoli Electa, 2025), 18, 26, 52, 102 (detail ill.), 103 (ill.), 129, 131, 140, 154 (detail ill.), 257 no. 19, pl. 21.