Young Woman Sewing

Paris, Paul Rosenberg, Exposition d’oeuvres de grands maîtres du dix-neuvième siècle, May 3–June 3, 1922, cat. 74. Art Institute of Chicago, Exhibition of the Mrs. L. L. Coburn Collection: Modern Paintings and Watercolors, Apr. 6–Oct. 9, 1932, cat. 32. Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture, May 23–Nov. 1, 1933, cat. 344. Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture for 1934, June 1–Oct. 31, 1934, cat. 235. New York, Metropolitan Museum of Art, Renoir: A Special Exhibition of His Paintings, May 18–Sept. 12, 1937, cat. 25 (ill.). Columbus (Ohio) Gallery of Fine Arts, Six Paintings by Renoir, Oct. 6–Nov. 6, 1938, cat. 1 (ill.). New York, Paul Rosenberg, Great French Masters of the Nineteenth Century: Corot to van Gogh, May 4–29, 1942, cat. 8 (ill.). Art Gallery of Toronto, Fifty Paintings by Old Masters, Apr. 21–May 21, 1950, cat. 37. New York, Wildenstein, Renoir: A Loan Exhibition for the Benefit of the American Association of Museums in Commemoration of the Fiftieth Anniversary of Renoir’s Death, Mar. 27–May 3, 1969, cat. 28 (ill.). Art Institute of Chicago, Paintings by Renoir, Feb. 3–Apr. 1, 1973, cat. 25 (ill.). Tokyo, National Museum of Western Art, Masterpieces of World Art from American Museums: From Ancient Egyptian to Contemporary Art, Sept. 11–Oct. 17, 1976, cat. 45 (ill.); Kyoto National Museum, Nov. 2–Dec. 5, 1976. Ann Arbor, University of Michigan Museum of Art, The Crisis of Impressionism, 1878–1882, Nov. 2, 1979–Jan. 6, 1980, cat. 47 (ill.). Albi, Musée Toulouse-Lautrec, Trésors impressionnistes du Musée de Chicago, June 27–Aug. 31, 1980, cat. 20 (ill.). Hartford, Conn., Wadsworth Atheneum Museum of Art, June 27, 1997–May 6, 1998, no cat. Tokyo, Seiji Togo Memorial Yasuda Kasai Museum of Art, Aug. 24, 2001–June 12, 2002, no cat. Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 29 (ill.). Tokyo, National Art Center, Renoir: Tradition and Innovation, Jan. 20–Apr. 5, 2010, cat. 54 (ill.); Osaka, National Museum of Art, Apr. 17–June 27, 2010. Washington, D.C., The Phillips Collection, Renoir and Friends: Luncheon of the Boating Party, Oct. 7, 2017-January 7, 2018, cat. 6 (ill.).

“La curiosité: La collection Deudon,” Le bulletin de la vie artistique 1, 11 (May 1, 1920), p. 306 (ill.). Jacques-Émile Blanche, “La technique de Renoir,” L’amour de l’art 2, 2 (Feb. 1921), opp. p. 33 (ill.). Paul Rosenberg, Paris, Exposition d’oeuvres de grands maîtres du dix-neuvième siècle, exh. cat. (Frazier-Soye, 1922), p. 23, cat. 74. Julius Meier-Graefe, Renoir (Klinkhardt & Biermann, 1929), pp. 99, n. 1; 122, no. 108 (ill.). “French Masterpieces That One Day Will Belong to Art Institute,” Chicago Daily News, June 1931, p. 14 (ill.). Reginald Howard Wilenski, French Painting (Hale, Cushman & Flint, 1931), p. 262. Art Institute of Chicago, Exhibition of the Mrs. L. L. Coburn Collection: Modern Paintings and Watercolors, exh. cat. (Art Institute of Chicago, 1932), pp. 6; 22–23, no. 32. Daniel Catton Rich, “The Bequest of Mrs. L. L. Coburn,” Bulletin of the Art Institute of Chicago 26, 6 (Nov. 1932), p. 68. Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture; Lent from American Collections, ed. Daniel Catton Rich, 3rd ed., exh. cat. (Art Institute of Chicago, 1933), p. 49, cat. 344. Art Institute of Chicago, “The Rearrangement of the Paintings Galleries,” Bulletin of the Art Institute of Chicago 27, 7 (Dec. 1933), p. 115. Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture, 1934, ed. Daniel Catton Rich, exh. cat. (Art Institute of Chicago, 1934), pp. 39–40, cat. 235. Art Institute of Chicago, A Brief Illustrated Guide to the Collections (Art Institute of Chicago, 1935), p. 28. Hans Tietz, ed., Meisterwerke europäischer Malerei in Amerika (Phaidon, 1935), pp. 295 (ill.), p. 345. Metropolitan Museum of Art, Renoir: A Special Exhibition of His Paintings, exh. cat. (Metropolitan Museum of Art/Bradford, 1937), no. 25 (ill.). Harry B. Wehle, “The Painting of Renoir,” in Metropolitan Museum of Art, Renoir: A Special Exhibition of His Paintings, exh. cat. (Metropolitan Museum of Art/Bradford, 1937), p. 7. Josephine L. Allen, “Paintings by Renoir,” Bulletin of the Metropolitan Museum of Art 32, 5 (May 1937), p. 112. Columbus (Ohio) Gallery of Fine Arts, “Six Paintings by Renoir,” Monthly Bulletin 9, 1 (Oct. 1938), front cover (ill.); no. 1. Lionello Venturi, Les archives de l’impressionnisme: Lettres de Renoir, Monet, Pissarro, Sisley, et autres; Mémoires de Paul Durand-Ruel; Documents, vol. 1 (Durand-Ruel, 1939), p. 152. Reginald Howard Wilenski, Modern French Painters (Reynal & Hitchcok, [1940]), pp. 62, 337. Harry B. Wehle, “The Painting of Renoir,” in Duveen Galleries, New York, Renoir: Centennial Loan Exhibition, 1841–1941; For the Benefit of the Free French Relief Committee, exh. cat. (Vilmorin/Bradford, 1941), p. 18. 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National Museum of Western Art, Tokyo, and Kyoto National Museum, Masterpieces of World Art from American Museums: From Ancient Egyptian to Contemporary Art, exh. cat. (National Museum of Western Art, Tokyo, 1976), no. 45 (ill.). Patricia Erens, Masterpieces: Famous Chicagoans and Their Paintings (Chicago Review, 1979), n. pag. (ill.). J. Patrice Marandel, The Art Institute of Chicago: Favorite Impressionist Paintings (Cross River, 1979), pp. 72–73 (ill.). Joel Isaacson, The Crisis of Impressionism, 1878–1882, exh. cat. (University of Michigan Museum of Art, 1980), pp. 30; 178–79, cat. 47 (ill.). Diane Kelder, The Great Book of French Impressionism (Abbeville, 1980), pp. 266 (ill.), 438. Diane Kelder, The Great Book of French Impressionism, Tiny Folios (Abbeville, 1980), p. 148, pl. 8. Musée Toulouse-Lautrec and Art Institute of Chicago, Trésors impressionnistes du Musée de Chicago, exh. cat. (Musée Toulouse-Lautrec, 1980), pp. 39, no. 20 (ill.); 68. 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(Columbus Museum of Art/Merrell, 2005), pp. 102, 106. Guy-Patrice Dauberville and Michel Dauberville, with the collaboration of Camille Frémontier-Murphy, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. 1, 1858–1881 (Bernheim-Jeune, 2007), pp. 416–17, cat. 393 (ill.). Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), pp. 15 (ill.); 76, cat. 29 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), pp. 15 (ill.); 76, cat. 29 (ill.). Anne Distel, Renoir (Citadelles & Mazenod, 2009), pp. 154–55, ill. 138. Toru Arayashiki et al., Renoir: Tradition and Innovation, trans. Stanley N. Anderson, Martha J. McClintock, and Cheryl A. Silverman, exh. cat. (National Museum of Art, Osaka/National Art Center, Tokyo/Yomiuri Shimbun, 2010), pp. 25 (ill.); 146–47, cat. 54 (ill.); 148–49 (detail); 249, cat. 54 (ill.). “Cat. 7: Young Woman Sewing, 1879,” in Renoir Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/renoir/reader/paintingsanddrawings/section/138973. Eliza E. Rathbone, ed., Renoir and Friends: Luncheon of the Boating Party, exh. cat. (The Phillips Collection/ D Giles Limited, 2017), p. 23, 25, cat. 6, 134.