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    Museum collections / Art Institute of Chicago
    Saint Christopher Taking Leave of the King Who Feared Satan; Saint Christopher and His Converts
    Martín de Soria. Saint Christopher Taking Leave of the King Who Feared Satan; Saint Christopher and His Converts, 1480–85. The Art Institute of Chicago. Public domain (CC0).
    AT-00000680

    Public data from the Art Institute of Chicago. Learn more

    Saint Christopher Taking Leave of the King Who Feared Satan; Saint Christopher and His Converts

    by Martín de Soria

    Provenance

    Possibly from the monastery of Piedra, near Saragossa [Gudiol 1953, p. 302,]. Charles Deering, Palau “Marycel,” Sitges, near Barcelona, and Chicago, before 1921 [a photograph shows the panels installed at “Marycel”; the paintings and other works from Deering’s collection were placed on loan at the Art Institute in 1921; loan agreement, Nov. 18, 1921, Art Institute Archives].; given to his daughters Mrs. Chauncey McCormick and Mrs. Richard E. Danielson, 1924; Mrs. Chauncey McCormick, in a division of their joint property, 1937 [registrar’s records]; given to the Art Institute, 1962.

    Publications

    W.A.P., “Two Panels Illustrating the Legend of Saint Christopher,” Bulletin of the Art Institute of Chicago 21 (1927), pp. 5–7. Chandler Rathfon Post, A History of Spanish Painting, vol. 8, Cambridge, Mass., 1941, pp. 354–56, 368, 378, fig. 153. Chandler Rathfon Post, A History of Spanish Painting, vol. 9, Cambridge, Mass., 1947, p. 883. José Gudiol Ricart, Pintura gótica, Ars hispaniae 9, Madrid, 1953, p. 302. Juan Antonio Gaya Nuño, La pintura española fuera de España, Madrid, 1958, pp. 43, 307, nos. 2679–80. Art Institute of Chicago Annual Report 1962–63, p. 13. José Gudiol, Pintura medieval en Aragón, Saragossa, 1971, pp. 58, 83, no. 280. Fabián Mañas Ballestin, Pintura gótica aragonesa, Saragossa, 1979, p. 134. Judith Berg Sobré in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 111-16, ill.

    Quick Overview

    Artist
    Martín de Soria (Spanish, active 1449–87)
    Date
    1480–85
    Medium
    Tempera with oil glazes on panel
    Dimensions
    154.5 × 87.4 cm (60 3/4 × 34 3/8 in.)
    Type
    Painting
    Classification
    painting
    Style
    15th century
    Place
    Spain
    Department
    Painting and Sculpture of Europe
    Credit line
    Gift of Mrs. Chauncey McCormick
    Accession no.
    1962.965

    More by Martín de Soria in museum collections

    • Saint Christopher Meets Satan; Saint Christopher before the King of Lycia

      Martín de Soria

      1480–85 · Painting

      Public collection via the Art Institute of ChicagoAT-00000679

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00000680

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