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    Museum collections / Art Institute of Chicago
    The Meeting of Gautier, Count of Antwerp, and his Daughter, Violante
    Giuseppe Cades. The Meeting of Gautier, Count of Antwerp, and his Daughter, Violante, c. 1787. The Art Institute of Chicago. Public domain (CC0).
    AT-00000781

    Public data from the Art Institute of Chicago. Learn more

    The Meeting of Gautier, Count of Antwerp, and his Daughter, Violante

    by Giuseppe Cades

    Provenance

    Marcus Galerie, Paris, by 1959 [according to Rome 1959]. Private collection, France [according to fact sheet provided by Wildenstein]. Wildenstein and Co., New York by 1963; sold to the Art Institute, 1963.

    Exhibition history

    Rome, Palazzo della Esposizioni, March 19–May 31, 1959, cat. 113. Cleveland, Ohio, Cleveland Museum of Art, Neo-Classicism: Style and Motif, September 21–November 1, 1964. Chicago, Art Institute, Painting in Italy in the Eighteenth Century, September 9–November 8, 1970; Minneapolis, Museum of Arts, December 3, 1970–January 10, 1971; Toledo, Museum of Art, February 7–March 21, 1971. Storrs, Connecticut, Benton Museum of Art (University of Connecticut), Rome in the 18th Century, October 13–November 19, 1973, cat. 123. Philadelphia Museum of Art, Art In Rome in the Eighteenth Century, February 27-May 21, 2000; Houston, Museum of Fine Arts Houston, June 17-September 17, 2000.

    Publications

    Giulio Cantalamessa, “Un quadro inavvetito di Giuseppe Cades nella Galleria Borghese,” Bolletino d’arte (1918), p. 82. The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 64. Art Institute of Chicago Quarterly 57 (1963–64), p. 2, ill. Art Institute of Chicago, Annual Report 1963–64 (Chicago, 1964), p. 19. Robert Rosenblum, “Neoclassicism Surveyed,” Burlington Magazine 107 (January 1965), p. 33. John Maxon, The Art Institute of Chicago (London, 1970), pp. 262, 268, ill. The Academy of Europe: Rome in the 18th Century, exh. cat. (Benton Museum of Art, Storrs, Connecticut, 1973), no. 123. Maria Teresa Caracciolo, Giuseppe Cades 1750–1799 et la Rome de son Temps (Paris, 1990), pp. 294–95, no. 93 D, ill. Beverly Louise Brown, Giambattista Tiepolo. Master of the Oil Sketch exh. cat. (Kimbell Art Museum, Fort Worth, 1993), pp. 60–61, fig. 33.

    Quick Overview

    Artist
    Giuseppe Cades (Italian, 1750–1799)
    Date
    c. 1787
    Medium
    Oil on canvas
    Dimensions
    37.2 × 69.7 cm (14 5/8 × 27 1/2 in.); Framed: 52.4 × 84.5 × 7.4 cm (20 5/8 × 33 1/4 × 2 7/8 in.)
    Type
    Painting
    Classification
    oil on canvas
    Style
    18th Century
    Place
    Italy
    Department
    Painting and Sculpture of Europe
    Credit line
    Charles H. Worcester Sketch Collection
    Accession no.
    1963.1142

    More by Giuseppe Cades in museum collections

    • Rape of Lucretia

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      Public collection via the Art Institute of ChicagoAT-00003511
    • Birth of the Virgin

      Giuseppe Cades

      c. 1784 · Drawing

      Public collection via the Art Institute of ChicagoAT-00005985
    • Portrait of a Lady with an Elaborate Cartouche

      Giuseppe Cades

      1785 · Drawing

      Public collection via the Cleveland Museum of ArtAT-00011123
    • The Dead Christ Mourned by Saint Mary Magdalen (recto); The Holy Family with an Attendant (verso)

      Giuseppe Cades

      1778–87 · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00019685

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00000781

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