The Resurrection

Cleveland Museum of Art, Caravaggio and His Followers, Oct. 27, 1971-Jan. 2, 1972. Ottawa, National Gallery of Canada, June 17- Sep. 11, 2011, Caravaggio and His Followers in Rome, fig. 48; Fort Worth, Kimball Art Museum, Oct. 9, 2011-Jan. 8, 2012. Art Institute of Chicago, Among Friends and Rivals: Caravaggio in Rome, Sep. 8-Dec. 31, 2023, no cat.

Mahonri Sharp Young, "Letter from U.S.A.: The Ruin of Painting,” Apollo 95, no. 117 (1972):61. Arnauld Brejon de Lavergnée and Jean-Pierre Cuzin, I Caravaggeschi Francesi, exh. cat. (Rome: De Luca, 1973), 24-25. Maurizio Marini, Io Michelangelo da Caravaggio (Rome: Studio B di Bestetti e Bozzi, 1974), 476. Luisa Vertova, ed., Caravaggism in Europe vol. 1, 2nd ed. (Torino: Umberto Allemandi, 1989), plates 448-49. Gino Corti, “Il ‘Registro de’ mandate’ dell’ambasciatore granducale Pietro Guicciardini e la committenza artistica fiorentina a Roma nel secondo decennio del Seicento,” in Paragone 473, no. 16 (1989): 130-32. Gianni Papi, “Pedro Nuñez del Valle e Cecco del Caravaggio (e un apostilla per Francesco Buoneri)," Arte Cristiana 79, no. 742 (1991): 39, 46-48, 49 (ill.) Anna Ottani Cavina, "Un Dipinto di Cecco del Caravaggio," in Studi di Storia dell’Arte in Onore di Mina Gregori (Milan: Silvana, 1994), 159 fig. 2, 160. Giovanna Capitelli and Caterina Volpi, Caravaggio e il Caravaggismo (Rome: Bagatto Libri, 1995), 191-94. Jane Turner, ed., The Dictionary of Art vol. 5 (New York: Grove, 1996), 702. Richard Ward, “Those Who Came Before: Caravaggio and His Principal Italian Followers,” in Sinners and Saints: Darkness and Light; Caravaggio and His Dutch and Flemish Followers, exh. cat. (Raleigh, N.C.: North Carolina Museum of Art, 1997), 30 fig. 19, n.61-63. Michelangelo Merisi da Caravaggio e i suoi primi seguaci, exh. cat. (Ente capitale europea della cultura "Salonicco '97", 1997), 203. Sandro Corradini, “Un antico inventario della quadreria del Cardinale Borghese,” inBernini Scultore: La Nascita del Barocco in Casa Borghese, exh. cat., eds. Anna Colvina and Sebastian Schütze (Rome: Edizioni de Luca, 1998), 499, 452. Gianni Papi, Cecco del Caravaggio (Soncino Cremona: Edizioni dei Soncino, 2001), 8, 13, 19, 23, 28-30, 32, 44, 46, 51-52, 75 plate 19, 132-35 no. 16. Beverly Louis Brown, ed., The Genius of Rome: 1592-1623, exh. cat. (London : Royal Academy of Arts, 2001), 6 under cat. 27. Silvia Danesi Squarzina, Caravaggio e i Giustiniani : toccar con mano una collezione del Seicento, exh. cat. (Milan: Electa, 2001), 302. Martina Sitt, Pieter Lastman: In Rembrandts Schatten?, exh. cat. (Hamburg : Hamburger Kunsthalle ; München : Hirmer, 2006), 144 under ca.t 23. Michael Fried, “Notes Toward a Caravaggisti Pictoral Poetics” Caravaggio and His Followers in Rome, exh. cat. (New Haven: Yale University Press, 2012), 119, fig. 48. Gianni Papi, "Some Reflections and Revisions on Caravaggio, His Method, and His 'Schola,’ in Caravaggio and His Legacy, exh. cat. (Los Angeles: Los Angeles County Museum of Art; Munich: DelMonico Books/Prestel, 2012), 22 fig. 7, 23. Gianni Papi, Cecco del Caracaggio: L’allievo modello, exh. cat. (Milan: Skira; Bergamo: Accademia Carrara, 2023), 170-173 (ill.), 224 (detail), 244.