Final Study for "Bathers at Asnières"

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Henri Dorra and John Rewald, Seurat: Seurat: l’oeuvre peint biographie et catalogue critique (Paris: Les Beaux-arts, 1959), 100 no. 97 (ill.). Ceasar M. de Hauke, Seurat et Son Oeuvre (Paris: Grund, 1961), 58-59 no. 93. Art Institute of Chicago Annual Report 1962-1963 (Chicago: Art Institute, 1963), 13. W. Homer, Seurat and the Science of Painting, 1963. Art Institute of Chicago Quarterly, vol. 57, no. 4 (1963-64), 4 (ill.), 5. J. Rewald, Post Impressionism from Van Gogh to Gauguin, 3rd ed., revised (New York, 1978), 74 (ill.). Richard R. Brettell, French Impressions (New York: Art Institute and Harry Abrams1987), 87. Richard Tilston, Seurat (London: Bison Books, 1991), 70-71. Sarah Carr-Gomm, Seurat (London: Studio Editions, 1993), 16 (ill.), 142, no. 16. Paul Smith, Seurat and the Avant-Garde (New Haven and London: Yale University Press, 1997), 75, 76 fig. 90. Impressionism and Post-Impressionism in the Art Institute of Chicago (Chicago: Art Institute, 2000), 77 (ill.). Sylvie Patry, Le Néo-Imoressionnisme de Seurat á Paul Klee, Exh. cat. (Réunion des Musées Nationaux, 2005), 16, 78, 108, 109 (ill.). Richard Shiff, “Seurat Distracted,” George Seurat: The Drawings, Exh. cat. (The Museum of Modern Art, New York, 2007), 26, 205 (ill.), pl. 103. The Age of Impressionism at the Art Institute of Chicago (New Haven and London, 2008),111 (ill.), cat. 50. Bregje Gerritse and Jacquelyn N. Coutre, Van Gogh and the Avant-Garde: Along the Seine, exh. cat. (New Haven: Yale University Press, 2023), 100, 102 fig. 65, 198, back cover ill.