Still Life

Worcester, Worcester Art Museum, "Condition; Excellent," March - April 1951, cat. 8.

Art Institute of Chicago, Report for the Year 1935 in Art Institute of Chicago Bulletin 30, Part III (1936), pp. 23, ill., 36. N. R. A. Vroom, De schilders van het monochrome banketje (Amsterdam, 1945), pp. 17-18, 198, no. 19, fig. 5. Ingvar Bergström, Studier i holländskt stillebenmåleri under 1600-talet (Gothenburg, 1947), p. 124. “In the Lowlands…Genius & Realism,” Masterpieces 1 (1950), p. 64 (ill). “Condition: Excellent,” Worcester Art Museum News Bulletin and Calendar 16 (1951) p. 25 (ill). Ingvar Bergström, Dutch Still-life Painting in the Seventeenth Century (London, 1956), pp. 118, 305. Art Institute of Chicago, Paintings in the Art Institute of Chicago. A Catalogue of the Picture Collection (Chicago, 1961), p. 78 (ill.), p. 186. N. R. A. Vroom, A Modest Message as intimated by the painters of the 'Monochrome Banketje' vol. 1 (Schiedam, 1980), pp. 89-91, fig. 119. Alberto Veco, Simposio: cerimonie e apparati, exh. cat., Galleria Lorenzelli, Bergamo, 1983, p. 176. Peter C. Sutton, A Guide to Dutch Art in America (Grand Rapids, Michigan, 1986), p. 52. Claus Grimm, Stilleben. Die niederländischen und deutschen Meister (Stuttgart and Zurich, 1988), p. 108, figs. 53, 54. Sam Segal, A Prosperous Past: The Sumptuous Still Life in the Netherlands, 1600-1700 (The Hague, 1988), p. 215, n. 7. Walter S. Melion, Shaping the Netherlandish Canon: Karel van Mander's Schilder-boeck (Chicago, 1991), pp. 73-74, fig. 62 (ill.). Pamela Hibbs Decoteau, Clara Peeters, 1594 - ca. 1640 (Freren, 1992), pp. 157-158, fig. 61. Anna-Elisabeth Theuerkauff-Liederwald, Venezianisches Glas der Kunstsammlungen der Veste Coburg. Die Sammlung Herzog Alfreds von Sachsen-Coburg und Gotha (1844-1900) (Lingen, 1994), p. 312, fig. 66. Erika Gemar-Koeltzsch, Holländische Stillebenmaler im 17. Jahrhundert, vol. 2, Lingen, 1995, p. 227, no. 76/2, ill. p. 228. Sybille Ebert-Schifferer, Die Geschichte des Stillebens, Munich, 1998, pp. 122-123, fig. 87. M. Brunner-Bulst, "Claesz. (Claessen), Pieter" in Allgemeines Künstler-Lexikon, vol. 19, Munich and Leipzig, 1998, p. 354. Martina Brunner-Bulst in Johnny Van Haeften Gallery, Dutch and Flemish Old Master Paintings (London, 1999), n.p., under no. 3, ill. Henry Duval Gregory V, Tabletop Still Lifes in Haarlem, c. 1610-1660: A Study of the Relationships Between Form and Content (Dissertation, Universty of Maryland, Collge Park, 2003), 163, 164fn74, 428, fig. 76. Martina Brunner-Bulst, Pieter Claesz., der Hauptmeister des Haarlemer Stillebens im 17. Jahrhundert (Lingen, 2004), pp. 150, 208, no. 6, ill. Fred G. Meijer, review of Brunner-Bulst, Pieter Claesz. der Hauptmeister des Haarlemer Stillebens im 17. Jahrhundert and Pieter Biesboer et al., Pieter Claesz, Master of Haarlem Still Life in Oud Holland 120 (2007), p. 139. Fred Meijer, “Jan Davidsz. de Heem 1606-1684” (Thesis, University of Amsterdam, 2016), p. 39, fig. 15. Fred Meijer, Jan Davidsz. de Heem 1606-1684 (Zwolle, 2024), p. 42, fig. 25. Alexander Thijs, Nicolaes Gillis (Antwerpen 1593-1630) Pionier van her Haarlemse voedsel- en bloemstilleven (Leiden, 2024), pp. 44, 139, 171, 186-189, cat. C18.