The Hanged Monk

Vienna, Galerie Miethke, Exposition Goya, April 1908, cat. 12, ill. Budapest, Palais des Beaux-Arts, Exposition des oeuvres d'art socialisées, 1919. Chicago, Art Institute of Chicago, Goya, 1941, cat. 86, ill. Basel, Switzerland, Kunsthalle, Goya: Paintings, Etchings, Drawings, Tapestries, January 23 - April 12, 1953, cat. 22. Milwaukee Art Institute, Five Centuries of Spanish Paintings, September 5 - October 26, 1952, cat. 35. Winnipeg, Canada, Winnepeg Art Gallery, El Greco to Goya, April 16 - May 15, 1955, cat. 22, ill., p. 23. Milwaukee Art Institute, Inaugural Exhibition, September 12 - October 20, 1957, cat. 45.

Xavier Desparmet Fitz-Gerald, L’Oeuvre peint de Goya: Catalogue raisonné, vol. I (Paris, 1928-1950), p. 258, no. 230, pl. 181. ‘Fifteen New Acquisitions at Chicago” Art News 35 (December 26, 1936), pp. 9-10, ill. R.F. Stell, “Goya und sein Menschenbild,” Das Werk 3 (March 1953), pp. 105, 106, ill. and Emporium (March 1953), pp. 112-118. Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 202, ill. p. 103. José Gudio, Goya 1746-1828, Biography, Analytical Study and Catalogue of his Paintings, trans. by Kenneth Lyons (Barcelona, 1971), pp. 157, 325, no. 607, fig. 961. John Maxon, The Art Institute of Chicago (London and New York, 1970), pp. 263, 281. Pierre Gassier and Juliet Wilson, The Life and Complete Work of Francisco Goya, rev. ed. (New York, 1971), no. 932, p. 264, ill. John D. Morse, Old Master Paintings in North America (New York, 1979), p. 144. Leif Einar Plahter, “Nasjonalgalleriets Goya-malerier – er de malt av Goya?”in Francisco Goya: maleri, tegning, grafikk, exh. cat. (Nasjonalgalleriet, Oslo, 1996), pp. 56-67, fig. 51.