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    Museum collections / Art Institute of Chicago
    A City Park
    William Merritt Chase. A City Park, c. 1887. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00000887

    A City Park

    by William Merritt Chase

    View at the Art Institute of Chicago

    Inscriptions

    Signed, lower right: "Wm M. Chase."

    Provenance

    William Merritt Chase, New York, from 1887 to 1891; Renaissance Gallery, Philadelphia, by 1950; Graham Gallery, New York City, 1950; Dr. John Jay Ireland, Chicago, 1956; bequeathed to the Art Institute of Chicago, 1968.

    Exhibition history

    Rochester Art Club, Ninth Annual Exhibition of the Rochester Art Club, May 22–June 2, 1888, cat. 10, as A City Park, lent by William Merritt Chase. Paris, Exposition Universelle, May 5–Oct. 31, 1889, cat. 49, as Un Parc de Ville, lent by William Merritt Chase. New York, Fifth Avenue Art Galleries, Auction of Paintings by William Merritt Chase, Mar. 6, 1891, cat. 31, as A City Park. Southampton, NY, Parish Art Museum, William Merritt Chase in the Company of Friends, May 13–June 24, 1979, cat. 8, as A City Park. Seattle, Henry Art Gallery, University of Washington, William Merritt Chase Retrospective, Oct. 2, 1983–Jan. 29, 1984; Metropolitan Museum of Art, Mar. 9–June 3, 1984, no cat. Norfolk, VA, Chrysler Museum of Art, Paris 1889: American Artists at the Universal Exposition, Sept. 29–Dec. 17, 1989; Philadelphia, Pennsylvania Academy of Fine Arts, Feb. 1–Apr. 15, 1990, Memphis, Brooks Museum of Art, May 6–July 15, 1990, New York Historical Society, Sept. 5–Nov. 15, 1990, cat. 49. Brooklyn Museum of Art, William Merritt Chase: Modern American Landscapes, 1886–1890, May 26–Aug. 13, 2000; the Art Institute of Chicago, Sept. 7–Nov. 26, 2000; Museum of Fine Arts, Houston, Dec. 13, 2000–Mar. 11, 2001, cat. 1. Philadelphia, PA, Academy of the Fine Arts, The Artist's Garden: American Impressionism and the Garden Movement, 1887–1920, Feb. 12–May 24, 2015; Norfolk, Chrysler Museum, June 16–Sept. 6, 2015; Winston–Salem, MA, Reynolda House, Oct. 1, 2015–Jan. 3, 2016 (Philadelphia and Norfolk only), cat. 35. Washington, DC, The Phillips Collection, William Merritt Chase, A Modern Master, June 4–Sept. 11, 2016, cat. 32; Museum of Fine Arts, Boston, Oct. 9, 2016–Jan. 16, 2017; Venice, Ca' Pesaro–Galleria Internazionale d'Arte Moderna, Feb. 11–May 28, 2017 (Washington, DC and Boston only).

    Publications

    M.G. Van Rensselaer, “William Merritt Chase,” American Art Review 2 (1881), 91–98. Montezuma, “My Notebook,” Art Amateur 18, 2 (Jan. 1888), 28. Keon Cox, “William M. Chase, Painter,” Harper’s New Monthly Magazine, 78, 466 (Mar. 1889), 549–57. “Mr. Chase’s Pictures,” Chicago Tribune, Sept. 15, 1889. Charles DeKay, “Mr. Chase and Central Park,” Harper’s Weekly 35, 17 (May 2, 1891), 327–28. “The Slaughter of Mr. Chase’s Pictures,” Art Amateur 24, 5 (Apr. 1891), 115–16. A.E. Ives, “Suburban Sketching Grounds,” Art Amateur 25, 4 (Sept. 1891), 80–82. James William Pattison, “An Art Lover’s Collection,” Fine Arts Journal 28 (Feb. 1913), 99–111. Katharine Metcalf Roof. The Life and Art of William Merritt Chase (Charles Scribner’s Sons, 1917). Abraham David Milgrome, The Art of William Merritt Chase (Ph.D. Diss., University of Pittsburgh, 1969). Ronald G. Pisano, William Merritt Chase (Watson–Guptill Publications, 1969). Keith L. Bryant, Jr., William Merritt Chase: A Genteel Bohemian (University of Missouri Press, 1991). David Schuyler and Jane Turner Censer, eds., The Papers of Frederick Law Olmsted: The Years of Olmsted, Vaux and Company 1865–1874 (Johns Hopkins University Press, 1992), vol. 6. Ronald G. Pisano, Summer Afternoons: Landscape Paintings of William Merritt Chase (Little, Brown, and Company, 1993). William H. Gerdts, Impressionist New York (Abbeville Press, 1994). Barbara Weinberg et al., American Impressionism and Realism: The Painting of Modern Life, 1885–1915 (Metropolitan Museum of Art, 1994). Barbara Dayer Gallati, William Merritt Chase (Harry N. Abrams Publishers, 1995). Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998), 250–52, no. 121. Stanley Meisler, Smithsonian Magazine (Feb. 2001). Judith A. Barter, et al., The Age of American Impressionism: Masterpieces from the Art Institute of Chicago (Art Institute of Chicago, 2011), cat. 76. Paintings at the Art Institute of Chicago: Highlights of the Collection, (Art Institute of Chicago, 2017) 60.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    William Merritt Chase (American, 1849–1916)
    Date
    c. 1887
    Medium
    Oil on canvas
    Dimensions
    34.6 × 49.9 cm (13 5/8 × 19 5/8 in.)
    Type
    Painting
    Classification
    painting
    Style
    Impressionism
    Place
    New York City
    Department
    Arts of the Americas
    Credit line
    Bequest of Dr. John J. Ireland
    Accession no.
    1968.88

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    Open-access museum record · AT-00000887

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