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    Museum collections / Art Institute of Chicago
    Bar-room Scene
    William Sidney Mount. Bar-room Scene, 1835. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00000902

    Bar-room Scene

    by William Sidney Mount

    View at the Art Institute of Chicago

    Inscriptions

    Signed recto, bottom-left corner, on floor, in black paint: "W. S. Mount / 1835.".

    Provenance

    Gouverneur Kemble, Cold Spring, N.Y., 1835. Ehrich Galleries, New York, by 1911; William Owen and Erna Sawyer Goodman, Chicago, 1911; given to the Art Institute of Chicago, 1939.

    Exhibition history

    New York, National Academy of Design (May–?), Tenth Annual Exhibition, no. 141. Art Institute of Chicago, The Friends of American Art, Loan Exhibition of American Paintings at the Art Institute of Chicago, Jan. 8–28, 1914, no. 49, as The Breakdown. Brooklyn Museum, Exhibition of Drawings and Paintings by William Sidney Mount: 1807–1868, Jan. 23–Mar. 8, 1942, no. 40, ill. as The Breakdown. New York, The Metropolitan Museum of Art, William Sidney Mount and His Circle, Jan. 31–?, 1945, no. 11 as The Breakdown. Long Island, New York, The Suffolk Museum at Stony Brook, The Mount Brothers (Aug. 23–Sept. 28, 1947, no. 67, p. 44, ill. p. 28 as The Breakdown. WI, Milwaukee Art Institute, Nineteenth Century American Masters, Feb. 20–Mar. 28, 1948, no. 34, as The Breakdown. Cincinnati Art Museum, Rediscoveries in American Painting, Oct. 3–Nov. 6, 1955, no. 63 and p. 14 as The Breakdown. Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available]. Los Angeles County Museum of Art, American Narrative Painting, 1974, no. 24, ill. p. 62 as The Breakdown. William Sydney Mount: American Genre Painter Amon Carter Museum, Fort Worth Feb. 5–May 4, 1999.

    Publications

    “The Fine Arts,” The Knickerbocker, June 1835, 550–556, no. 141, 554. The American Cyclopedia, A Popular Dictionary of General Knowledge, Vol. XII (D. Appleton and Co., 1883), 7–8. Alfred Frankenstein, William Sidney Mount (Abrams, Inc., 1975). Barbara T. Ross, American Drawings in the Art Museum, Princeton University Exhibition, October 3–November 28, 1976, 108, no. 109, (not included in exhibition history). Art Institute of Chicago, Master Paintings in The Art Institute of Chicago (Boston and Toronto: Little, Brown, 1988), 81, ill. Marvin D. Schwartz, “The Art Institute’s New Wing,” Antiques and the Arts Weekly, November 4, 1988, 1, 60–62, ill. p. 60. Benjamin Nelson Pftingstag, Aspects of Form and Time in the Paintings of Willliam Sidney Mount (Ann Arbor: University Microfilms International, 1980), Ph.D. diss., 92, 119–122; mentioned under an earlier title: The Breakdown. Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998).

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    William Sidney Mount (American, 1807–1868)
    Date
    1835
    Medium
    Oil on canvas
    Dimensions
    57.4 × 69.7 cm (22 5/8 × 27 7/16 in.)
    Type
    Painting
    Classification
    painting
    Place
    Long Island
    Department
    Arts of the Americas
    Credit line
    The William Owen Goodman and Erna Sawyer Goodman Collection
    Accession no.
    1939.392

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      William Sidney Mount

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    Open-access museum record · AT-00000902

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