Public data from the Art Institute of Chicago. Learn more
Mark Pringle
Provenance
Arthur Tooth and Sons, London, by 1919 [according to the mount of a photograph in Witt Library, London]], presumably as a pair with the portrait of Mrs. Pringle, monogrammed and dated 1797, now in the Baltimore Museum of Art. Probably Frank G. Logan, Chicago (d. 1937) [his ownership can be inferred from the joint gift of his sons, see below]; probably at his death to his widow, Jeanette Hancock Logan, Chicago, (d. 1943), by descent to their sons Spencer H. Logan, Stuart Logan, and Waldo Logan; given by them to the Art Institute of Chicago, 1944.
Publications
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 219. John Wilson, "The Romantics, 1790-1830," in The British Portrait, 1660-1960, introduction by Sir Roy Strong, Woodbridge, 1991, p. 268. pl. 257. Malcolm Warner in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: Chicago, 1996, pp. 185-188, ill.
Quick Overview
- Artist
- Sir William Beechey (British, 1753-1839)
- Date
- c. 1797
- Medium
- Oil on canvas
- Dimensions
- 76.2 × 63.8 cm (30 × 25 1/8 in.); Framed: 97.4 × 85.1 × 8.3 cm (38 3/8 × 33 1/2 × 3 1/4 in.)
- Type
- Painting
- Classification
- oil on canvas
- Style
- 18th Century
- Place
- England
- Department
- Painting and Sculpture of Europe
- Credit line
- Gift of Spencer H., Stuart, and Waldo H. Logan in memory of Mr. and Mrs. Frank G. Logan
- Accession no.
- 1944.700
More by Sir William Beechey in museum collections
Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.
Open-access museum record · AT-00001053
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