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    Museum collections / Art Institute of Chicago
    A Witches' Sabbath
    Cornelis Saftleven. A Witches' Sabbath, c. 1650. The Art Institute of Chicago. Public domain (CC0).
    AT-00001059

    Public data from the Art Institute of Chicago. Learn more

    A Witches' Sabbath

    by Cornelis Saftleven

    Provenance

    Possibly Maximin Maurel, Paris; possibly sold by him October 4, 1865, as La Sorcière de Sabbat [see H. Mireur, Dictionnaire des ventes d’art, vol. 6 (Paris, 1911), p. 405]. Probably Baron Karl Kuffner de Dioszegh, Castle Dioszegh, Dioszegh, Czechoslovakia; his son Baron Raoul Kuffner de Dioszegh (died 1961) and the Baroness Dioszegh (Tamara de Lempicka, died 1980), presumably removed from Castle Dioszegh between 1930 and 1938 when it was among a group of objects placed at Christie’s, London, from June/July 1938 to May 1939 and marked with the number 804GS, still visible on the back of the panel [acc. to prefatory note in Parke-Bernet November 18, 1948, auction catalogue and electronic correspondence of Marijke Booth of Christie’s, London, November 23, 2004]. Paul Drey, New York, by 1945; sold by him through Maynard Walker, New York, to the Art Institute, 1945.

    Exhibition history

    New York, American British Art Center, Other Worlds, October 1945, cat. 30, traveled to Andover, Mass., Addison Gallery, Phillips Academy, November 1945.

    Publications

    Maynard Walker, Maynard Walker Gallery (New York, 1946), p. 15 (ill.). Mary C. Rathbun, "Other Worlds in an Art Gallery: An Exhibition at the Addison Gallery, Phillips Academy, Andover," Art in America 34 (Jan. 1946), pp. 35–38 (ill.). Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 409. Wolfgang Schulz, Cornelis Saftleven, 1607–1681: Leben und Werke mit einem kritischen Katalog der Gemälde und Zeichnungen, Beiträge zur Kunstgeschichte 14 (Berlin/New York: Walter de Gruyter, 1978), pp. 13, 188, cat. 516, ill. 20. Peter C. Sutton, A Guide to Dutch Art in America (Grand Rapids, 1986), p. 49. Jane P. Davidson, The Witch in Northern European Art 1470–1750 (Freren: Luca Verlage, 1987), 67, 144, ill. 31. MS Lucas, “Het heksengeloof verbeeld, 17de eeuwse voorstellingen in de Nederlanden,” Jaarboek van het Koninklijk Museum voor Schone Kunsten Antwerpen (1996), 132–133, fig. 17. Tania de Nile, Fantasmagorie: Streghe, demoni e tentazioni nell'arte fiamminga e olandese del Seicento (Rome, 2023), pp. 231–33, fig. 275.

    Quick Overview

    Artist
    Cornelis Saftleven (Dutch, 1607–1681)
    Date
    c. 1650
    Medium
    Oil on panel
    Dimensions
    54.3 × 78.2 cm (21 3/8 × 30 3/4 in.); Framed: 77.1 × 101.6 × 10.2 cm (30 3/8 × 40 × 4 in.)
    Type
    Painting
    Classification
    oil on panel
    Style
    dutch
    Place
    Holland
    Department
    Painting and Sculpture of Europe
    Credit line
    George F. Porter Collection
    Accession no.
    1945.290

    More by Cornelis Saftleven in museum collections

    • A Camel

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      Public collection via the Art Institute of ChicagoAT-00003236
    • Yard of an Old House

      Cornelis Saftleven

      n.d. · Drawing

      Public collection via the Art Institute of ChicagoAT-00003992
    • Kneeling Monk Holding a Crucifix

      Cornelis Saftleven

      1630 · Drawing

      Public collection via the Art Institute of ChicagoAT-00004003
    • Man with a Keg

      Cornelis Saftleven

      1633 · Drawing

      Public collection via the Art Institute of ChicagoAT-00004004

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001059

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