ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesCompliance

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    The Show (La Parade) by Nicolas Antoine Taunay
    Nicolas Antoine Taunay. The Show (La Parade), 1784–87. The Art Institute of Chicago. Public domain (CC0).
    AT-00001081

    Public data from the Art Institute of Chicago. Learn more

    The Show (La Parade)

    by Nicolas Antoine Taunay

    Exhibition history

    Art Institute of Chicago, Selected Works of 18th Century French Art in the Collections of the Art Institute of Chicago, January 24–April 25, 1976, no. 18, as Hilair, Scene of Commedia dell’arte.

    Publications

    Art Institute of Chicago, Annual Report of the Art Institute of Chicago 1972–73 (Chicago, 1973), p. 27. “Recent Accessions of American and Canadian Museums, January–April, 1973,” Art Quarterly 35 (1973), p. 429. Susan Wise, in Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in the Art Institute of Chicago (Chicago, 1996), pp. 140–142, ill. Claudine Lebrun Jouve, Nicolas-Antoine Taunay, 1755–1830 (Paris, 2003), p. 139, no. 133, ill.

    Quick Overview

    Artist
    Nicolas Antoine Taunay (French, 1755–1830)
    Date
    1784–87
    Medium
    Oil on panel
    Dimensions
    37.5 × 43.7 cm (14 3/4 × 17 3/16 in.); Framed: 60.4 × 53.4 × 7.7 cm (23 3/4 × 21 × 3 in.)
    Type
    Painting
    Classification
    oil on panel
    Style
    18th Century
    Place
    France
    Department
    Painting and Sculpture of Europe
    Credit line
    Bequest of Florence Thompson Thomas in memory of her father, John R. Thompson Sr.
    Accession no.
    1973.313

    Provenance

    George J. Gould, New York [according to the 1944 sale catalogue]. Duveen Brothers, Inc., New York, by 1926 [according to the 1944 sale catalogue, and a letter from Cynthia Thomas Morehouse (Florence Thompson Thomas’s daughter) to Susan Wise dated December 4, 1981]; sold to John R. Thompson, Sr. (died 1927), Lake Forest, Illinois, 1926 [according to the letter cited above]; his widow, Mrs. John R. Thompson, Sr., Lake Forest, Illinois; sold Parke-Bernet, New York, January 15, 1944, no. 32, as Pater, Commedia dell’arte, to her daughter, Florence Thompson Thomas (died 1972), Palm Beach Florida [buyer according to a letter from John R. Thomas to Susan Wise dated November 13, 1981]; bequeathed to the Art Institute, 1973.

    More by Nicolas Antoine Taunay in museum collections

    • The Billiard Room by Nicolas Antoine Taunay

      The Billiard Room

      Nicolas Antoine Taunay

      after 1810 · Painting

      Museum collection · via the Metropolitan Museum of ArtAT-00015824

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001081

    Powered by Art Trackers