Mrs. Daniel Hubbard (Mary Greene)

Museum of Fine Arts, Boston, Loan Exhibition, Feb. 28–?,1883, lent by William Scollay Whitwell. Worcester Art Museum, Mass., New England Painting, 1700–1775, Feb. 17–Mar. 31, 1943, cat. 35, lent by Mr. and Mrs. Henry D. Tudor. Art Institute of Chicago, From Colony to Nation, Apr. 21–June 19, 1949, cat. 33. Colorado Springs Fine Arts Center, Likeness of America, 1680–1820, July 5–Sept. 4, 1949, cat. 14. Birmingham Museum of Art, Opening Exhibition, Apr. 8–June 3, 1951. Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available]. Fort Worth, Amon Carter Museum, The Face of Liberty, Dec. 23, 1975–Feb. 8, 1976, p. 93 .

Frank W. Bayley, A Sketch of the Life and a List of Some of the Works of John Singleton Copley (Boston, 1910). Frank W. Bayley, Five Colonial Artists of New England (Boston, 1929). James T. Flexner, John Singleton Copley (Boston, 1948). B. N. Parker and A.B. Wheeler, John Singleton Copley, American Portraits in Oil, Pastel, and Miniature with Biographical Sketches (Cambridge, MA, 1938). Jules David Prown. John Singleton Copley (Cambridge, MA, 1966), 2 vols. David Hanks, “American Paintings at the Art Institute of Chicago,” Magazine Antiques (Sept. 1973), 408–17. Trevor Fairbrother, “John Singleton Copley’s Use of British Mezzotints for His American Portraits: A Reappraisal Prompted by New Discoveries,” Arts Magazine 55 (Mar. 1981), 122–30. Davida Tennenbaum Deutsch, “Needlework Patterns and Their Use in America,” Magazine Antiques (Feb. 1991), 368–81. T.H. Breen, “The Meaning of ‘Likeness’: Portrait–Painting in an Eighteenth–Century Consumer Society,” The Portrait in Eighteenth–Century America (Newark, 1993). Carrie Rebora and Paul Staiti, John Singleton Copley in America, (New York, 1995). Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998). Carroll Smith–Rosenberg, This Violent Empire, (The University of North Carolina Press, 2012).