Trepanning a Recruit

London, Royal Academy of Arts, Exhibition of Works by the Old Masters, and by Deceased Masters of the British School, 1880, no. 42.

William Collins, Memoirs of a Painter, Being a Genuine Biographical Sketch of that Celebrated Original and Eccentric Genius, the Late Mr. George Morland, vol. 2, London, 1805, p. 43. J. Hassell, Memoirs of the Life of the Late George Morland; with Critical and Descriptive Observations on the Whole of His Works Hitherto before the Public, London, 1806, p. 94. George Dawe, The Life of George Morland, with Remarks on His Works, London, 1807, pp. 73, 88-89, 235-26 (reprinted as The Life of George Morland, with an Introduction and Notes by J. J. Foster, London, 1904, pp. xxxi, 38, 46-47, 124, 155). Ralph Richardson, George Morland: Painter, London, 1763-1804, London, 1895, pp. 42-52-53. J.T. Nettleship, George Morland and the Evolution from Him of Some Later Painters, London, 1898, p. 16. J.T. Herbert Baily, “George Morland: A Biographical Essay,” Connoisseur, extra number, no. 1 (1906), pp. 21, 126, 132. Sir Walter Gilbey, Bt., and E.D. Cuming, George Morland: His Life and Works, London, 1907, pp. 75-76. George C. Williamson, George Morland: His Life and Works, London, 1907, pp. 41-42, 113, 131, 175. David Henry Wilson, George Morland, London and New York, 1907, pp. 73-75, 184, 195. David Winter, “George Morland (1763-1804)”, Ph.D. diss. Stanford University, 1977 (Ann Arbor, Michigan, University Microfilms, 1981), pp. 38, 169, no. P25, fig. 17. Joan W. H. Hichberger, Images of the Army: The Military in British Art, 1815-1914, Manchester, 1988, p. 133.