The Fountain, Villa Torlonia, Frascati, Italy

Art Institute of Chicago, Twenty–fifth Annual Exhibition of American Oil Paintings and Sculpture, Nov. 5–Dec. 8, 1912, cat. 228. New York, Grand Central Art Galleries, Retrospective Exhibition of Important Works of John Singer Sargent, Feb. 23–Mar. 22, 1924, cat. 48. New York, Metropolitan Museum of Art, Memorial Exhibition of the Work of John Singer Sargent, Jan. 4–Feb. 14, 1926, cat. 50. Dallas, Fair Park Gallery, 1933 Exhibition Showing the Changes in Painting for the Last Hundred Years in Europe and America, Oct. 7–22, 1933, cat. 76 (organized by the State Fair of Texas, Art Department). Art Institute of Chicago, A Century of Progress, June 1–Nov. 1, 1934, cat. 407. IN, South Bend Art Association, American Painting in the Manner of the Late Nineteenth and Early Twentieth Centuries, Feb. 10–Mar. 31, 1948, cat. 46. Art Institute of Chicago, Sargent, Whistler and Mary Cassatt, Jan. 14–Feb. 25, 1954; New York, Metropolitan Museum of Art, Mar. 25–May 23, 1954. Grand Rapids Art Museum, MI, Cassatt, Whistler, Sargent Exhibition, Sept. 15–Oct. 15, 1955, cat. 27. IL, Durand Art Institute, Lake Forest College, A Century of American Painting: Masterpieces Loaned by The Art Institute of Chicago, June 10–16, 1957, no. 16, as The Fountain, Villa Torlonia, Frascati. Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available]. Washington, DC, Corcoran Gallery of Art, The Private World of John Singer Sargent, Apr. 18–June 14, 1964, cat. 73; Cleveland Museum of Art, July 7–Aug. 16, 1964; Worcester Art Museum, MA, Sept. 17–Nov. 1, 1964; Utica, NY, Munson–Williams–Proctor Institute, Nov. 15, 1964–Jan. 3, 1965. New York, Whitney Museum of American Art, John Singer Sargent, Oct. 1, 1986–Jan. 4, 1987, cat. 149. Boston, Museum of Fine Arts, The Lure of Italy, Sept. 16–Dec. 13, 1992, cat. 44; Cleveland Museum of Art, Feb. 3–Apr. 11, 1993, Houston, Museum of Fine Arts, May 23–Aug. 8, 1993, cat. 44. London, Tate Gallery, John Singer Sargent, Oct. 15, 1998–Jan. 11, 1999; Washington, DC, National Gallery, Feb. 28–May 31, 1999, Boston, Museum of Fine Arts, June 23–Sept. 26, 1999. Stanford, CA, Gerald Cantor Center for Visual Arts, Stanford University, The Changing Garden: European and American Gardens and Parks, June 11–Sept. 7, 2003. Canberra, National Gallery of Australia, The Edwardians: Secrets and Desires, Mar. 12–June 14, 2004; Adelaide, Art Gallery of South Australia, July 9–Sept. 12, 2004. London, National Portrait Gallery, Sargent: Portraits of Artists and Friends, Feb. 12–May 25, 2015; New York, Metropolitan Museum of Art, June 29–Oct. 4, 2015, cat. 83. Art Institute of Chicago, John Singer Sargent and Chicago’s Gilded Age, July 1–Sept. 30, 2018, cat. 34, fig. 40.

Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Art Institute of Chicago, 1910), 151, cat. 414 (ill.). Giselle D’Unger, “The Chicago Beautiful—Woman and Art The Vital Forces,” Fine Arts Journal 30 (Jan–June 1914): 302, ill. “Gifts of the Friends,” Bulletin of the Art Institute of Chicago 7 (Apr. 1914): 158, ill. William M. R. French, Art Institute of Chicago General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Art Institute of Chicago, 1914), 158, cat. 544 (ill.). The Art Institute of Chicago Handbook of Paintings and Drawings (Art Institute of Chicago, 1920), 45. Rose V.S. Berry, “John Singer Sargent: Some of His American Work,” Art and Archaeology 18 (Sept. 1924): 99 (ill.), 100. William Howe Downes, John S. Sargent: His Life and Work (Boston, 1925), 62, 227, ill. f. p. 272. A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), 152. A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1932), 170. State Fair of Texas, Illustrated Catalogue, Art Department, State Fair of Texas, 1933: Exhibition Showing the Changes in Painting for the Last Hundred Years in Europe and America, exh. cat. (Dorsey Co., 1933), 22, cat. 76. James Murray Haddow, American Painting in the Manner of the Late Ninteenth and Early Twentieth Centuries, exh. cat. (South Bend Art Association, 1948), n.p., cat. 46. Charles Merrill Mount, John Singer Sargent: A Biography (W.W. Norton, 1955), 449. Paintings in the Art Institute of Chicago (Art Institute of Chicago, 1961), 411. Richard Ormond, John Singer Sargent: Paintings, Drawings, Watercolors (Harper & Row, 1970), 75. Tom Armstrong, “The New Field–McCormick Galleries in the Art Institute of Chicago,” Magazine Antiques 134, 4 (Oct. 1988): 822–835, pl. 19, 835 (ill.). Holland Cotter, “Artists From the New World in Love,” New York Times (Sunday, Nov. 1, 1992). James N. Wood and Teri J. Edelstein, The Art Institute of Chicago: Twentieth–Century Painting and Sculpture (Art Institute of Chicago, 1996), 15. Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I, (Art Institute of Chicago, 1998). Judith A. Barter, et al., The Age of American Impressionism: Masterpieces from the Art Institute of Chicago (Art Institute of Chicago, 2011), cat. 39. Lance Mayer et al., "American Painters on Technique: 1860–1945" (J. Paul Getty Museum/Getty Publications, 2013), cover (ill.). Paintings at the Art Institute of Chicago: Highlights of the Collection (Art Institute of Chicago/Yale University Press, 2017), p. 89. Annelise K. Madsen, et al., John Singer Sargent and Chicago's Gilded Age, exh. cat. (Art Institute of Chicago, 2018), 16–17, 20, 36, 65–67, 69, 76, 121, 127, 174, 204, 209, 211, cat. 34, fig. 40 (ill.). Judith H. Dobrzynski, "Dazzling Art With a City Connection," The Wall Street Journal, Aug. 13, 2018, A13 (ill.).