An Old Man in a Fur Cap

Chicago, Art Institute of Chicago, A Century of Progress: Loan Exhibition of Paintings and Sculpture, June 1–November 1, 1933, cat. 72. Chicago, Art Institute of Chicago, A Century of Progress: Loan Exhibition of Paintings and Sculpture, June 1–November 1, 1934, cat. 103. Chicago, Art Institute of Chicago, Paintings, Drawings, and Etchings by Rembrandt and His Circle, December 19, 1935–January 19, 1936, cat. 25. Worcester, Mass., Worcester Art Museum, Rembrandt and His Circle: A Loan Exhibition of Paintings, Drawings and Etchings, February 4–March 1, 1936, cat. 23. Chicago, Art Institute of Chicago, Rembrandt After Three Hundred Years: An Exhibition of Rembrandt and His Followers, October 25–December 7, 1969; Minneapolis Institute of Arts, December 22, 1969–February 1, 1970; Detroit Institute of Arts, February 24–April 5, 1970, cat. 91.

J. O. Kronig, “Carel van der Pluijm: A Little Known Follower of Rembrandt,” Burlington Magazine 26 (1915), p. 177, no. 4. A[braham] Bredius, “Wiedergefundene ‘Rembrandts,’” Zeitschrift für bildende Kunst 56 (1921), p. 147. A[braham] Bredius, “Ein letztes Wort an Dr. Valentiner,” Kunstchronik und Kunstmarkt 57 (1922), pp. 393-94. “Pictures Bring Best Prices in Stillwell Sale,” Art News 26, 10 (December 10, 1927), pp. 1, 12, no. 210 (ill.). A[braham] Bredius, “Karel van der Pluym, neef en leerling van Rembrandt,” Oud-Holland 48 (1931), pp. 246-47, 255-56, 264, figs. 4 and 6. A. Bredius, “Pluym, Karel van der” in Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. 27 (Leipzig: E. A. Seemann, 1933), p. 164. Werner Sumowski, “Nachträge zum Rembrandtjahr 1956,” Wissenschaftliche Zeitschrift der Humboldt-Universität zu Berlin 7 (1957-58), p. 229. Rondom Rembrandt. De verzameling Daan Cevat, exh. cat. (Leiden: Stedelijk Museum ‘De Lakenhal’, 1968), p. 18, under no. 26. J[acques] F[oucart] in Le siècle de Rembrandt: tableaux hollandais des collections publiques françaises, exh. cat. (Paris: Musée du Petit Palais, 1970), p. 196, under cat. 189. Werner Sumowski, Gemälde der Rembrandt-Schüler, vol. 4 (Landau/Pfalz: Edition PVA, 1983), pp. 2366, 2380, no. 1598, ill. Henry Adams, “If Not Rembrandt, Then His Cousin?,” Art Bulletin 46 (1984), pp. 434-5, 438, figs. 10-11, 31. Art Institute of Chicago, Annual Report 1988-89 (Chicago: Art Institute of Chicago, 1988) p. 22, 55, 99, fig. 51. Walter Liedtke in Rembrandt/Not Rembrandt in The Metropolitan Museum of Art: Aspects of Connoisseurship, vol. 2, exh. cat. (New York, Metropolitan Museum of Art, 1995), p. 114, fig. 75, under no. 31. Jonathan Bikker, Willem Drost (1633-1659): A Rembrandt Pupil in Amsterdam and Venice (New Haven and London: Yale University Press, 2005), pp. 32-34, 137, 178 n. 174, fig. R5a. M[argaret] I[acono] in Colin B. Bailey et al., Rembrandt and His School: Masterworks from the Frick and Lugt Collections, exh. cat. (New York: Frick Collection, 2011), pp. 67-9, 72 n. 23-25, figs. 2, 4, under cat. 5. Ernst van de Wetering, A Corpus of Rembrandt Paintings, vol. VI: Rembrandt's Paintings Revisited - A Complete Survey (Springer: Dordrecht, 2014), p. 35.