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    Museum collections / Art Institute of Chicago
    Song of a Fisherman by Wang Wen
    Wang Wen. Song of a Fisherman, Ming dynasty (1368–1644). The Art Institute of Chicago. Public domain (CC0).
    AT-00001232

    Public data from the Art Institute of Chicago. Learn more

    Song of a Fisherman

    by Wang Wen

    Inscriptions

    Front piece "Mind is not in caching fish" Artist’s inscription ( a long poem ) Most men of the world fish with crooked hook; I alone trust in hooks, but never in fancy baits. After rain, I carry my long pole to the terrace edge And dangle it from among pines and clouds above the ripples of chi’s. Softly, gently, a light breeze caresses my face, And, o’er the water, peach-blossoms in the dew Show off their first blush. Beneath a cluster of leaves, warbling orioles cry all day And in a trice all fragrant blossoms also fade and Lie strewn about. Have you not seen all the lush groves and gardens of old? Facing pairs of copper dragons sprouting sweet scents By an overflowing pool? When an imperial carriage visits the pond, all Vagrant small grasses go into hiding, Then perfumed embroideries, purple sashes appear like cloud-formations. But how many times has this place known wars and battles? And today only foxes and rabbits lord over the high plains at nightfall. Once I had driven my carriages out of Eastern Brightness, At dawn I inquired from travelers about the road ahead. Vermillion pavilions, carmine towers beckoned from afar, And I was lost among flowers and mist, Above or below the illusory silver Bridge. Now home, in lowliness and poverty, I sought Contentment by the eastern river. Between heave and earth, low and high ranks exist side by side; Together they spring up, Together they flourish. Who, without looking all around, won’t Revere the earliest light of the dawn That renews, freshens each scene and object? Myriad things and I rejoice in the same spring: Would I still follow the crowd of slimy profiteers? Bending objects to lure fish harms perfect goodness! (translated by Irving Yucheng Lo) artist's seals. clophon by Zhang Heng

    Publications

    Siren, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956-58. vol. VII, Annotated Lists, p. 256, as A Man Angling Among the Reeds by a River Comprehensive Illustrated Catalog of Chinese Paintings: Third Series, Vol. 1 American and Canadian Collections 1, Research Field of Art, East Asian Department, Institute for Advanced Studies on Asia, The University of Tokyo, by University of Tokyo Press, 2013; page I-18, 19, No. A 3–060.

    Quick Overview

    Artist
    Wang Wen (1497-1576) / Chinese
    Date
    Ming dynasty (1368–1644)
    Medium
    Handscroll; ink on paper
    Dimensions
    28.6 × 605.8 cm (11 1/4 × 238 1/2 in.)
    Type
    Painting
    Classification
    handscroll
    Style
    Chinese (culture or style)
    Place
    China
    Department
    Arts of Asia
    Credit line
    The Orientals Sundry Fund
    Accession no.
    1951.239

    Provenance

    Ching Tsai Loo (C.T. Loo, 1880‒1957), Paris and New York; sold to the Art Institute of Chicago, Oct. 10, 1951.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001232

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