Virgin and Child with Two Angels

The Art Institute of Chicago, Old Masters from the Collection of Cyrus H. McCormick and Max Epstein, July 25–Oct. 1, 1928 (no cat.). The Art Institute of Chicago, Summer Exhibition: Old Masters Lent by Max Epstein, July 24–Oct. 12, 1930 (no cat.). Art Institute of Chicago, A Century of Progress, July 1–Nov. 1, 1933, cat. 107.

Old Masters in the Collection of Max Epstein (Chicago, 1928), ill., n. p. Raimond van Marle, The Development of the Italian Schools of Painting, vol. 12 (The Hague, 1931), p. 171. The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 29. Everett Fahy, “A Tondo by Sandro Botticelli,” Art Institute of Chicago Museum Studies 4 (1969), pp. 14–25, figs. 1, 12, 14. John Maxon, The Art Institute of Chicago (London, 1970), pp. 31–32, ill. Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 33, 321, 571. The Art Institute of Chicago: 100 Masterpieces (Chicago, 1978), pp. 42–43, no. 6, ill. Ronald Lightbown, Sandro Botticelli, vol. 2 (London, 1978), p. 83, no. B74, ill. John D. Morse, Old Master Paintings in North America (New York, 1979), p. 28. Nicoletta Pons, Botticelli: catalogo completo (Milan, 1989), p.78, fig. 80. Ronald Lightbown, Sandro Botticelli: Life and Work (New York, 1989), pl. 89. Barbara Deimling, Sandro Botticelli, 1444/45–1510 (Cologne, 1993), pp. 69, 95. Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 38–40, ill. Roberta J. M. Olson, The Florentine Tondo (New York, 2000), pp. 192–95, fig. 7.20. Hans Körner, Botticelli (Cologne, 2006), p. 156, no. 195. Émile Gebhart and Victoria Charles, Sandro Botticelli (New York, 2010), p. 9, fig. 4.