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    Museum collections / Art Institute of Chicago
    The Adoration of the Christ Child by Vincenzo Frediani
    Vincenzo Frediani. The Adoration of the Christ Child, c. 1490. The Art Institute of Chicago. Public domain (CC0).
    AT-00001270

    Public data from the Art Institute of Chicago. Learn more

    The Adoration of the Christ Child

    by Vincenzo Frediani

    Exhibition history

    Lucca, Museo Nazionale di Villa Guinigi, "Matteo Civitali e il suo Tempo," April 3–July 11, 2004, no. 4.25.

    Publications

    R. Radcliffe Carter, Pictures and Engravings at Haughton Hall, Tarporley, in the Possession of Ralph Brocklebank (London, 1904), pp. viii, 12, no. 9, ill. Art Prices Current: 1921–1922 (London, 1922), p. 435. Old Masters in the Collection of Max Epstein (Chicago, 1928), ill. n. pag. Alfred Scharf, Filippino Lippi (Vienna, 1935), p. 114, no. 93, fig. 210. Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 261. Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 131, 352, 571. Massimo Ferretti, “Percorso lucchese,” Annali della Scuola Normale Superiore di Pisa: Classe di lettere e filosofia, ser. 3, 5 (1975), pp. 1041 n. 15, 1042 n. 17. Everett Fahy, Some Followers of Domenico Ghirlandajo (New York and London, 1976), p. 177. Mauro Natale, “Note sulla pittura lucchese alle fine del Quattrocento,” The J. Paul Getty Museum Journal 8 (1980), p. 55, fig. 37. C. Baracchini and M. T. Filieri, “Pittori a Lucca tra ´400 e ´500,” Annali della Scuola Normale Superiore di Pisa: Classe di lettere e filosofia, ser. 3, 16 (1986), pp. 752, 755, pl. XXXIV, 1. Massimo Ferretti, “Vincenzo Frediani,” in Colección Cambó, exh. cat. (Barcelona, Fundación Caja de Barcelona, 1991), pp. 266, ill., 268–69. Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 95–98, ill. Everett Fahy, Dipinti, disegni, miniature, stampe, L’Archivio Storico Fotografico di Stefano Bardini (Florence, 2000), pp. 48–49, 249, no. 419, ill. Maurizia Tazartes, Fucina lucchese: Maestri, botteghe, mercanti in una città del Quattrocento (Pisa, 2007), p. 66, fig. 56.

    Quick Overview

    Artist
    Vincenzo Frediani (Italian, 1485–1505)
    Date
    c. 1490
    Medium
    Tempera on panel
    Dimensions
    52 × 47.2 cm (20 1/2 × 18 9/16 in.); Framed: 70.5 × 68.6 × 12.1 cm (27 3/4 × 27 × 4 3/4 in.)
    Type
    Painting
    Classification
    tempera
    Style
    15th century
    Place
    Florence
    Department
    Painting and Sculpture of Europe
    Credit line
    Max and Leola Epstein Collection
    Accession no.
    1954.289

    Provenance

    Counts Sardini, Lucca [according to Carter 1904]; sold to Charles Fairfax Murray, London [according to Carter 1904]. Ralph Brocklebank, Haughton Hall, Tarporley, Cheshire, 1897–1922 [according to Carter 1904, Brocklebank purchased the painting in 1897]; sold Christie’s, London, July 7, 1922, no. 93, as Filippo Lippi, The Madonna Adoring the Infant Saviour, to Visman for ₤39 18s [price and buyer according to Art Prices Current, 1921–1922, p. 435]. Max Epstein (died 1954), Chicago, by 1926 [according to registrar’s records]; on loan to the Art Institute, 1926; bequeathed to the Art Institute, 1954.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001270

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