Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin)

Paris, 4me Exposition de Peinture, April-May, 1879, cat. 59. Cleveland Museum of Art, French Art Since 1800, November 7–December 8, 1929, no cat. The Art Institute of Chicago, A Century of Progress, Exhibition of Painting and Sculpture, June 1–November 1, 1933, cat. 290. The Arts Club of Chicago, Joseph Winterbotham Collection, December 9-31, 1936, cat. 11. Boston, Museum of Fine Arts, Art in New England: Paintings, Drawings, Prints From Private Collections in New England, June 9-September 10, 1939, cat. 37. The Art Institute of Chicago, Masterpieces in Memory of Chauncey McCormick, January 15–February 20, 1955, cat. 13. The Art Institute of Chicago, Degas in The Art Institute Chicago, July 19–September 23, 1984, cat. 47 (ill.). Washington, D.C., National Gallery of Art, Degas/Cassatt, May 11–October 5, 2014.

Etienne Charles, “Les Mots de Degas,” La Renaissance 1 (April 1918), p. 4 (ill.). Camille Mauclair, Degas (New York, 1937), p. 64 (ill.). P. A. Lemoisne, Degas et son oeuvres, vol. 2 (Paris, 1946), no. 534 (ill.). Marcel Guerin, ed., Degas Letters, trans. M. Kay (Oxford, 1947), pp. 60-61, no. 37. The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 120. Jean Sutherland Boggs, Portraits by Degas (Berkeley and Los Angeles, 1962), p. 52. Theodore Reff, “Some Unpublished Letters of Degas,” Art Bulletin 50, 1 (1968), pp. 90-91. Alfred Werner, Degas Pastels (New York, 1968), p. 22. John Maxon, The Art Institute of Chicago (New York, 1970), pp. 267, 280 (ill.). The Art Institute of Chicago: 100 Masterpieces (Chicago, 1978), no. 62. Diane Kelder, The Great Book of French Impressionism (New York, 1980), p. 16 (ill.). The Joseph Winterbotham Collection at the Art Institute of Chicago: The Art Institute of Chicago Museum Studies 20, 2 (1986), pp. 114–115 (ill.). Charles S. Moffet, The New Painting: Impressionism 1874-1886, exh. cat. (The Fine Arts Museums of San Francisco and National Gallery of Art, Washington, 1986), p. 267. Richard Kendall, ed., Degas by Himself: Drawings, Prints, Paintings, Writings (London, 1987), pp. 114-15 (ill.). Felix Baumann and Marianne Karabelnik, eds., Degas Portraits, exh. cat. (Kunsthaus Zurich, 1994), pp. (ill.) 18, 105, 106. Anthea Callen, “The Unvarnished Truth: Mattness, ‘Primitivism’ and Modernity in French Painting, c. 1870-1907,” The Burlington Magazine 136, 1100 (November 1994), p. 742. Simon Kelly and Esther Bell, Degas, Impressionism, and the Paris Millinery Trade, exh. cat. (Fine Arts Museums of San Francisco/ Legion of Honor/ Delmonico Books/ Prestel, 2017), pp. 153, fig. 75 (ill).