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    Museum collections / Art Institute of Chicago
    Arleux-Palluel, The Bridge of Trysts
    Jean-Baptiste-Camille Corot. Arleux-Palluel, The Bridge of Trysts, 1871–72. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00001287

    Arleux-Palluel, The Bridge of Trysts

    by Jean-Baptiste-Camille Corot

    View at the Art Institute of Chicago

    Inscriptions

    Inscribed lower left: Corot

    Provenance

    Arnold & Tripp, Paris, 1882 [according to Robaut 1905]. Georges Petit, Paris, 1883 [according to Robaut 1905]. Durand-Ruel, Paris, 1889 [according to Robaut 1905]. Mrs. Potter Palmer (died 1918), Chicago, 1892 [see Chicago 1933]; bequeathed to the Art Institute, 1922.

    Exhibition history

    The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1933, cat. 230. The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1934, cat. 159. New York, Wildenstein and Co., The Serene World of Corot: An Exhibition in Aid of the Salvation Army War Fund, November 11-December 12, 1942, cat. 69 (ill.). The Art Institute of Chicago, Corot, 1796-1875: An Exhibition of his Paintings and Graphic Work, October 6-November 13, 1960, cat. 128. Niigata Prefectural Museum of Modern Art, Masterworks of Modern Art from The Art Institute of Chicago, April 20-May 29, 1994, cat. 4 (ill.); traveled to Nagoya, Aichi Prefectural Museum of Art, June 10-July 1994 and Yokohama Museum of Art, August 6-September 25, 1994.

    Publications

    Alfred Robaut, L’oeuvre de Corot: catalogue raisonné et illustré, précédé de l’histoire de Corot et de ses oeuvres vol. 3 (Paris, 1905), no. 2210 (ill.) (reprinted Paris 1965). The Art Institute of Chicago Annual Report For the Year 1921 (Chicago, 1921), ill. The Art Institute of Chicago Handbook of Sculpture, Architecture and Paintings (Chicago, 1922), no. 808. The Art Institute of Chicago Handbook of Sculpture, Architecture and Paintings (Chicago, 1923), no. 808. “Corots in the Art Institute,” Bulletin of The Art Institute of Chicago 18, 8 (1924), pp. 101-2. The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1925), p. 131, no. 808. The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1932), p. 147, no. 22.407. The Art Institute of Chicago, Paintings in the Art Institute of Chicago: Catalogue of the Picture Collection (Chicago, 1961), p. 106. John D. Morse, Paintings in North America: Over 3000 Masterpieces by 50 Great Artists (New York, 1979), p. 62.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Jean-Baptiste-Camille Corot (French, 1796–1875)
    Date
    1871–72
    Medium
    Oil on canvas
    Dimensions
    60.8 × 73 cm (23 1/2 × 28 1/2 in.); Framed: 88.9 × 101.6 × 12.1 cm (35 × 40 × 4 3/4 in.)
    Type
    Painting
    Classification
    oil on canvas
    Style
    19th century
    Place
    France
    Department
    Painting and Sculpture of Europe
    Credit line
    Potter Palmer Collection
    Accession no.
    1922.407

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    Open-access museum record · AT-00001287

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