The Departure of the Boats, Étretat

Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture, May 23–Nov. 1, 1933, cat. 293. Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture for 1934, June 1–Oct. 31, 1934, cat. 211. Toledo (Ohio) Museum of Art, The Spirit of Modern France: An Essay on Painting in Society, 1745–1946, Nov.–Dec. 1946, cat. 49; Toronto, Art Gallery of Toronto, Jan.–Feb. 1947. Art Institute of Chicago, The Paintings of Claude Monet, Apr. 1–June 15, 1957, no cat. no. Art Institute of Chicago, Paintings by Monet, Mar. 15–May 11, 1975, cat. 17 (ill.). Highland Park (Ill.), Neison Harris, May 29, 1984–May 13, 1985, no cat. Tokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The Impressionist tradition: Masterpieces from the Art Institute of Chicago], Oct. 18–Dec. 17, 1985, cat. 43 (ill.); Fukuoka Art Museum, Jan. 5–Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4–April 13, 1986. Art Institute of Chicago, Seurat and the Making of “La Grande Jatte,” June 19–Sept. 19, 2004, cat. 98 (ill.). Art Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 35. Seattle Art Museum, Monet at Étretat, July 1-October 17, 2021, no cat. no.

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Daniel Catton Rich, “Französische Impressionisten im Art Institute zu Chicago,” Pantheon: Monatsschrift für freunde und sammler der kunst 11, 3 (Mar. 1933), pp. 75 (ill.), 77. Translated by C. C. H. Drechsel as “French Impressionists in the Art Institute of Chicago,” Pantheon/Cicerone (Mar. 1933), p. 18. Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture, 1934, ed. Daniel Catton Rich, exh. cat. (Art Institute of Chicago, 1934), p. 37, cat. 211. “Fourteen Notable Modern Paintings,” Fortune 9 (Jan. 1934), p. 33 (ill.). Art Institute of Chicago, “Special Offer Members May Now Rent Reproductions of Famous Paintings in the Art Institute,” Bulletin of the Art Institute of Chicago 31, 4 (Apr.–May, 1937), p. 60. George Slocombe, “Giver of Light,” Coronet (Mar. 1938), p. 21 (ill.). 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(Royal Academy of Arts, London/Thames & Hudson/Abrams, 2007), pp. 139, fig. 44; 140. Eric M. Zafran, “Monet in America,” in Wildenstein and Co., Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff, exh. cat. (Wildenstein, 2007), p. 112. Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), p. 108. Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), p. 108. “Cat. 23: The Departure of the Boats, Étretat, 1885” in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/monet/reader/paintingsanddrawings/section/135470. 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