Woman from Brittany

Chicago, Art Institute of Chicago, A Loan Exhibition of the Works of Dagnan-Bouveret, March 1–24, 1901, cat. 11. Chicago, Art Institute of Chicago, Paintings from the Collection of Mrs. Potter Palmer, May 10–August, 1910, cat. 15. New York, Dahesh Museum of Art at the National Academy Museum, Against the Modern: Dagnan-Bouveret and the Transformation of Academic Art, September 10–December 7, 2002, no cat. no; traveled to Palm Beach, Society of the Four Arts, January 3–February 9, 2003.

“Exhibitions,” The Art Institute of Chicago Bulletin 15 (1921), p. 156 (ill.). Catalogue des oeuvres de M. Dagnan-Bouveret, exh. cat (Paris: Galerie Maurice Rousseau, 1930), p. 24. Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, (Chicago: Art Institute of Chicago, 1961), p. 112. Richard R. Brettell, French Salon Artists, 1800–1900 (Chicago: Art Institute of Chicago, 1987), pp. 108, 111 (ill.). Gretchen Wold, “Some notes on The Pardon in Brittany by Dagnan-Bouveret,” Metropolitan Museum Journal 35 (2000), pp. 241–43, fig. 5, p. 245 n. 14, n. 18. Gabriel P. Weisberg, Against the Modern: Dagnan-Bouveret and the Transformation of the Academic Tradition, exh. cat. (New York: Dahesh Museum of Art, 2002), pp. 82–83, 121, 129, fig. 85. M. Therese Southgate, “The Cover,” Journal of the American Medical Association 287, 18 (2002), p. 2327 (ill.).