
Public data from the Art Institute of Chicago. Learn more
Study of a Cow
Inscriptions
Inscribed lower left: Em. van Marcke
Provenance
Henry Field (died 1890), Chicago; his widow Mrs. Florence Lathrop Field; given to the Art Institute, 1894.
Publications
“Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247. Art Institute of Chicago, Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1894), p. 57, no. 40. “The Henry Field Memorial Collection,” Art Amateur 31, 6 (1894), p. 115. “Art Institute of Chicago: II – Modern Paintings: The Henry Field Collection,” Art Amateur 32, 1 (1894), p. 19. Art Institute of Chicago, Annual Report of the Trustees for the Year Ending June 4, 1895 (Chicago: Art Institute of Chicago, 1895), p. 37, no. 40. Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1895), p. 68, no. 40. Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1896), p. 75, no. 40. Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1898), p. 95, no. 40. “Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 140, no. 40. Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 164, no. 140. Frederick Clifton Pierce, Field Genealogy, vol. 2 (Chicago: Hammond Press, 1901), p. 713, no. 40. Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 169, no. 140. Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 181, no. 140. Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 172, no. 140. Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 116, no. 140. Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 120, no. 140. Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 120, no. 140. Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 25, no. 140. Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 25, no. 140. Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 25, no. 140. Art Institute of Chicago, A Guide to the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 155, no. 140. Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 175.
Quick Overview
- Artist
- Emile van Marcke de Lummen (French, 1827–1890)
- Date
- c. 1875–90
- Medium
- Oil on canvas
- Dimensions
- 56.6 × 83.5 cm (22 1/4 × 32 7/8 in.); Framed: 92.8 × 119.4 × 10.2 cm (36 1/2 × 47 × 4 in.)
- Type
- Painting
- Classification
- painting
- Style
- nineteenth century
- Place
- France
- Department
- Painting and Sculpture of Europe
- Credit line
- Henry Field Memorial Collection
- Accession no.
- 1894.1072
More by Emile van Marcke de Lummen in museum collections
Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.
Open-access museum record · AT-00001326
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