Sandvika, Norway

Paris, Galeries Durand-Ruel, Exposition de tableaux de Claude Monet, May 10–31, 1895, cat. 29, as Village de Sandviken (Temps de neige) or cat. 30, as Village de Sandviken. Boston, Copley Society, Loan Collection of Paintings by Claude Monet and Eleven Sculptures by Auguste Rodin, Mar. 1905, cat. 90, as Village de Sandriken [sic], Pres [sic] Christiania, 1895, lent by Mrs. John Jay Borland. Art Institute of Chicago, Treasures of Chicago Collectors, Apr. 15–May 7, 1961, no cat. no. Høvikodden, Norway, Henie-Onstad Kunstsenter, Impresjonismen 100 år, Nov. 1974–Jan. 1975, cat. 10 (ill.). Art Institute of Chicago, Paintings by Monet, Mar. 15–May 11, 1975, cat. 94 (ill.). Paris, Centre Culturel du Marais, Claude Monet au temps de Giverny, Apr. 6–July 17, 1983, cat. 30 (ill.). Tokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The Impressionist tradition: Masterpieces from the Art Institute of Chicago],Oct. 18–Dec. 17, 1985, cat. 60 (ill.); Fukuoka Art Museum, Jan. 5–Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4–Apr. 13, 1986. Nagaoka, Niigata Prefectural Museum of Modern Art, Shikago bijutsukan ten: Kindai kaiga no 100-nen [Masterworks of modern art from the Art Institute of Chicago], Apr. 20–May 29, 1994, cat. 17 (ill.); Nagoya, Aichi Prefectural Museum of Art, June 10–July 24, 1994; Yokohama Museum of Art, Aug. 6–Sept. 25, 1994. Art Institute of Chicago, Claude Monet, 1840–1926, July 22–Nov. 26, 1995, cat. 107 (ill.). Copenhagen, Ordrupgaard, Monet in Norway, January 26–April 8, 1996, no cat. no. (ill.). Stockholm, Nationalmuseum, Impressionism and the North: Late 19th Century French Avant-Garde Art and Art in the Nordic Countries, 1870–1920, Sept. 25, 2002–Jan. 19, 2003, cat. 149 (ill.); Copenhagen, Statens Museum for Kunst, Feb. 21–May 25, 2003. Fort Worth, Tex., Kimbell Art Museum The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 84 (ill.). Art Institute of Chicago, Monet and Chicago, September 5, 2020-June 14, 2021, cat. 61.

Galeries Durand-Ruel, Paris, Exposition de tableaux de Claude Monet, exh. cat. (E. Moreau, 1895), cat. 29 or cat. 30. “Atelier Alfred Sisley,” La chronique des arts et de la curiosité, 19 (May 13, 1899), p. 172. Galerie Georges Petit, Paris, Catalogue de tableaux, études, pastels par Alfred Sisley et de tableaux, aquarelles, pastels et dessins offerts à ses enfants par les artistes, sale cat. (Galerie Georges Petit, May 1, 1899), p. 4 and p. 35, lot 65, as Sandviken, village près Christiania. Copley Society, Boston, Loan Collection of Paintings by Claude Monet and Eleven Sculptures by August Rodin, exh. cat. (Copley Society, 1905), p. 27, cat. 90. Oscar Reuterswärd, Monet: En konstnärshistorik (Bonniers, 1948), p. 207, fig. 97. Art Institute of Chicago, Treasures of Chicago Collectors, exh. cat. (Art Institute of Chicago, 1961), n. pag. Karin Hellandsjø, ed., Monet i Norge/Monet in Norway; 1. Februar–1. April 1895, trans. C. Wood (Sonja Henies og Niels Onstads Stiftelse, 1974), p. 17 (ill.). Henie-Onstad Kunstsenter, Impresjonismen 100 år, with a foreword by Ole Henrik Moe, exh. cat. (Henie-Onstad Kunstsenter, 1974), front cover (ill.), p. 4, cat. 10. Grace Seiberling, “The Evolution of an Impressionist,” in Paintings by Monet, ed. Susan Wise, exh. cat. (Art Institute of Chicago, 1975), p. 35. Susan Wise, ed., Paintings by Monet, exh. cat. (Art Institute of Chicago, 1975), p. 151, cat. 94. Daniel Wildenstein, Claude Monet: Biographie et catalogue raisonné, vol. 3, Peintures, 1887–1989 (Bibliothèque des Arts, 1979), pp. 184; 185, cat. 1397 (ill.); 282, letter 1276; 300, pièce justificative 131. Joel Isaacson, Claude Monet: Observation and Reflection (Phaidon/Dutton, 1978), pp. 9; 42; 159, pl. 114; 224–25, no. 114. J. Patrice Marandel, The Art Institute of Chicago: Favorite Impressionists Paintings (Crown, 1979), pp. 62–63 (ill.). Jacqueline Guillaud and Maurice Guillaud, Claude Monet au temps de Giverny, exh. cat. (Centre Culturel du Marais, [1983]), pp. 110–12, fig. 60/cat. 30. Translated as Claude Monet at the Time of Giverny, exh. cat. (Centre Culturel du Marais, [1983]), pp. 110–12, fig. 60/cat. 30. Art Institute of Chicago, Seibu Museum of Art, Kyoto Municipal Museum of Art, and Fukuoka Art Museum, eds., Shikago bijutsukan insho-ha ten [The Impressionist tradition: Masterpieces from the Art Institute of Chicago], trans. Akihiko Inoue, Hideo Namba, Heisaku Harada, and Yoko Maeda, exh. cat. (Nihon Nippon Television Network, 1985), pp. 120, cat. 60 (ill.); 121, cat. 60 (detail); 159, cat. 60 (ill.). Charles F. Stuckey, ed., Monet: A Retrospective (Hugh Lauter Levin, 1985), p. 214, pl. 86. Michael Howard, Monet (Brompton, 1989), pp. 119, 161 (ill.). Daniel Wildenstein, Claude Monet: Catalogue raisonné, vol. 5, Supplément aux peintures: Dessins; Pastels; Index (Wildenstein Institute, 1991), pp. 50, 117. Art Institute of Chicago, Treasures of 19th- and 20th-Century Painting: The Art Institute of Chicago, with an introduction by James N. Wood (Art Institute of Chicago/Abbeville, 1993), p. 124 (ill.). Marianne Alphant, Claude Monet in Norway, trans. Maev de la Guardia (Hazan, 1994), pp. 39 (ill.), 42. Art Institute of Chicago and Niigata Prefectural Museum of Modern Art, Shikago bijutsukan ten: Kindai kaiga no 100-nen [Masterworks of modern art from the Art Institute of Chicago],exh. cat. (Asahi Shinbunsha, 1994), pp. 76–77, cat. 17 (ill.). Edward Hirsch, “Illuminations: Four Writers Visit the Art Institute and Transform Paintings into Poetry and Prose,” Chicago Tribune Magazine, Sept. 25, 1994, p. 26 (ill.). Russell Ash, ed., Impressionists’ Seasons (Pavillion, 1995), p. 79 (ill.). Andrew Forge, Monet, Artists in Focus (Art Institute of Chicago, 1995), pp. 49–50; 92, pl. 21. Charles F. Stuckey, with the assistance of Sophia Shaw, Claude Monet, 1840–1926, exh. cat. (Art Institute of Chicago/Thames & Hudson, 1995), pp. 128, cat. 107 (ill.); 227; 231; 237. Sylvie Patin, “‘Some Absolutely Amazing Snow Effects, but Exceptionally Difficult to Capture,’” in Monet i Norge/Monet en Norvege/Monet in Norway, ed. Karin Hellandsjø, exh. cat. (Rogaland Kunstmuseum/Musée Rodin, 1995), pp. 76, 179 (ill.). Daniel Wildenstein, Monet, or The Triumph of Impressionism, cat. rais., vol. 1 (Taschen/Wildenstein Institute, 1996), pp. 300 (ill.), 306. Daniel Wildenstein, Monet: Catalogue raisonné/Werkverzeichnis, vol. 3, Nos. 969–1595 (Taschen/Wildenstein Institute, 1996), pp. 578–80, cat. 1397 (ill.). Ordrupgaard, Monet in Norway, trans. James Manley and Joan Fuglesang, exh. cat. (Ordrupgaard, 1996), p. 38 (ill.). Paul Hayes Tucker, “A Frenchman in the Fjords: Monet’s Norwegian Campaign in 1895,” in Ordrupgaard, Monet in Norway, trans. James Manley and Joan Fuglesang, exh. cat. (Ordrupgaard, 1996), p. 29, n2. Art Institute of Chicago, Impressionism and Post-Impressionism in the Art Institute of Chicago, selected by James N. Wood (Art Institute of Chicago/Hudson Hills, 2000), p. 152 (ill.). Norio Shimada and Keiko Sakagami, Kurōdo Mone meigashū: Hikari to kaze no kiseki [Claude Monet: 1881–1926], vol. 2 (Nihon Bijutsu Kyōiku Sentā, 2001), pp. 94, no. 222 (ill.); 190. Karin Hellandsjø, “Monet and Norway,” in Nationalmuseum, Stockholm, and Statens Museum for Kunst, Copenhagen, Impressionism and the North: Late 19th Century French Avant-Garde Art and the Art in the Nordic Countries, 1870–1920, ed. Torsten Gunnarsson and Per Hedström, exh. cat. (Nationalmuseum, Stockholm, 2002), pp. 253, cat. 149 (ill.); 259. James A. Ganz and Richard Kendall, The Unknown Monet: Pastels and Drawings (Sterling and Francine Clark Art Institute/Yale University Press, 2007), p. 167, fig. 146. Joseph Baillio and Cora Michael, “Chronological and Pictorial Survey of The Life and Career of Claude Monet,” in Wildenstein and Co., Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff, exh. cat. (Wildenstein, 2007), p. 168. Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), pp. 164 (detail); 165, cat. 84 (ill.). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), pp. 164 (detail); 165, cat. 84 (ill.). “Cat. 34: Sandvika, Norway, 1895” in Monet Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/monet/reader/paintingsanddrawings/section/135470. Richard Thomson, Monet and Architecture, exh. cat. (National Gallery Company London/ Yale University Press, 2018), pp. 82, plate 72 (ill.), 248. Gloria Groom, et. al. Monet and Chicago, exh. Cat. (Chicago: Art Institute, 2020), 28, 32, 104 cat. 61, 138.