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    Museum collections / Art Institute of Chicago
    The Two Disciples at the Tomb by Henry Ossawa Tanner
    Henry Ossawa Tanner. The Two Disciples at the Tomb, c. 1906. The Art Institute of Chicago. Public domain (CC0).
    AT-00001338

    Public data from the Art Institute of Chicago. Learn more

    The Two Disciples at the Tomb

    by Henry Ossawa Tanner

    Inscriptions

    Signed recto, bottom-left, on ground, in brown paint: "H.O. TANNER".

    Exhibition history

    Art Institute of Chicago, Nineteenth Annual Exhibition of Oil Paintings and Sculpture by American Artists, Oct. 16–Nov. 29, 1906, cat. 295. New York, American Art Galleries, Religious Paintings by the Distinguished American Artist Mr. Henry O. Tanner, Dec. 15–25, 1908, cat. 10. Texas, Public Library of Fort Worth, Exhibition of American Paintings, 1910, no cat. Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, May 23–Oct. 31, 1933, cat. Art Institute of Chicago, Half a Century of American Art, Nov. 16, 1939–Jan. 7, 1940, cat. 160, pl. IX (ill.). Chicago, South Side Community Art Center, We Too Look at America, May 1941, cat. 25. Chicago, McCormick Place, Century of Negro Progress Exposition, Aug. 16–Sept. 2, 1963, no cat. no. Washington, DC, Howard University, Ten Afro–American Artists of the Nineteenth Century, Feb. 3–Mar. 30, 1967, no cat. no., 23, 32 (ill.). New York, Grand Central Art Galleries, Exhibition of Paintings: Henry Ossawa Tanner, Nov. 16–Dec. 7, 1967, no cat. no. (ill.). Atlanta, Spelman College, Henry O. Tanner, An Afro–American Romantic Realist, Mar. 30–Apr. 30, 1969, cat. 7 (ill.) Berkeley, University of California Art Museum, The Hand and the Spirit: Religious Art in America 1770–1900, June 27–Aug. 6, 1972, cat. 104; Washington, DC, National Gallery of Art, Sep–Oct, 1972; Dallas Museum of Art, Dec. 10, 1972–Jan. 14, 1973; Indianapolis Museum of Art, Feb–Apr. 1973. New York, Metropolitan Museum of Art, Selections of Nineteenth Century Afro–American Art, June 19–Aug. 1, 1976, no cat. no. Los Angeles County Museum of Art, Two Centuries of Black American Art, Sept. 30–Nov. 21, 1976, cat. 54, 55 (ill.); Atlanta, High Museum of Art, Jan. 8–Feb. 20, 1977; Dallas Museum of Art, Mar. 30–May 15, 1977; Brooklyn Museum of Art, June 25–Aug. 21, 1977. New York, Whitney Museum of American Art, Turn–of–the–Century America, June 30–Oct. 2, 1977, no cat. no., 193, fig. 22 (ill.); St. Louis Art Museum, Dec. 1, 1977–Jan. 21, 1978; Seattle Art Museum, Feb. 2–Mar. 12, 1978; California, Oakland Museum of Art, Apr. 4–May 28,1978. Philadelphia Museum of Art, Henry Ossawa Tanner, Jan. 20–Apr. 14, 1991, cat. 59,193 (ill.); Detroit Institute of Arts, May 12–Aug. 4, 1991; Atlanta, High Museum of Art, Sept. 17–Nov. 24, 1991; Fine Arts Museums of San Francisco, M.H. De Young Memorial Museum, Dec. 14, 1991–Mar. 1, 1992. Kansas City, Nelson–Atkins Museum of Art, Across Continents and Cultures: The Art and Life of Henry Ossawa Tanner, June 25–Aug. 20, 1995, no cat. no., 54 (ill.); Dallas Museum of Art, Sept. 12–Dec. 31, 1995; Chicago, Terra Museum of American Art, Jan. 12–May 5, 1996. Philadelphia, Pennsylvania Academy of the Fine Arts, Henry O. Tanner: Modern Spirit, Jan. 27–Apr. 15, 2012, no cat. no., 60, 61, 62, 129, 130, pl. 54 (ill.); Cincinnati Art Museum, May 26–Sept. 9, 2012; Museum of Fine Arts, Houston, Oct. 21, 2012–Jan. 13, 2013.

    Publications

    "Award For Negro Artist," The Washington Post, Oct. 18, 1906, 1. "Sales," American Art News 5, no. 1 (Oct. 20, 1906): 1. "Chicago Art News," American Art News 5, no. 2 (Oct. 27, 1906): 2. "Tanner's Bible Pictures on View," The Advocate (Charleston, West Virginia), Dec. 31, 1908, 6. "Exhibition of American Paintings in Texas," Art and Progress 1, no. 3 (Jan. 1910): 75. "The Stickney Benefactions," Bulletin of the Art Institute of Chicago 3, no. 3 (Jan. 1910): 34. "Henry O. Tanner's Biblical Pictures," Fine Arts Journal 24, no. 3 (Mar. 1911): 162 (ill.). "Art Works Reproduced: Tanner Collection Exhibited at M Street High School," The Washington Herald, Mar. 30, 1911. "Notes," Bulletin of the Art Institute of Chicago 7, no. 4 (Apr. 1914): 64. "Again-A Free Ad for the Art Institute," Chicago Daily Tribune, Oct. 10, 1915, B9. Karen Fisk, "The Annual American Exhibition at the Art Institute of Chicago," The American Magazine of Art 17, no. 12 (Dec. 1926): 624–25. Frederic J. Haskin, "Answers to Questions," The Evening Star (Washington, DC), May 25, 1938, A-10. Albert G. Barnett, "Paintings Now Hang Among World Famous Collection At A Century of Progress," The Chicago Defender, Sept. 2, 1963: 16 (ill.). Marcia M. Mathews, "Henry Ossawa Tanner, American Artist," The South Atlantic Quarterly 65 (1966): 464 (ill.), 468. Charles H. Wesley, "Henry O. Tanner The Artist," Negro History Bulletin 31, no. 1 (Jan. 1968): 10. Marcia M. Mathews, Henry Ossawa Tanner: American Artist, Chicago: University of Chicago Press, 1969, 130–31, 238. Marcia M. Mathews, "The Art of Henry O. Tanner," Records of the Columbia Historical Society 69/70 (1969/1970): 454 (ill.). Henry J. Seldis, "'Black American Art': Crossing the Color Line," Los Angeles Times, Oct. 10, 1976, 64. Albert Boime, "Henry Ossawa Tanner's Subversion of Genre," The Art Bulletin 75, no. 3 (1993): 440, fig. 27 (ill.). Romare Bearden and Harry Henderson, A History of African-American Artists From 1792 to the Present, New York: Pantheon Books, 1993, 98, 99 (ill.). Marcia M. Mathews, Henry Ossawa Tanner: American Artist, Chicago: University of Chicago Press, 1994, 131, 132, 238 (ill.). Anne Rorimer, "The Display of Twentieth-Century Art. Chicago, Art Institute," The Burlington Magazine, Sept. 1994, 645. Susan F. Rossen, “Introduction,” Art Institute of Chicago Museum Studies 24, 2 (1999), 141. Andrea D. Barnwell, Kirsten P. Buick, Margaret Denny, Martin Fox, Jennifer Jankauskas, Dennis A. Narowcki, Mark Pascale, Kymberly N. Pinder, and Andrew J. Walker, "A Portfolio of Works by African American Artists Continuing the Dialogue: A Work in Progress," Art Institute of Chicago Museum Studies 24, no. 2 (1999): 186, 190. Lisa Meyerowitz, "The Negro in Art Week: Defining the "New Negro" Through Art Exhibition," African American Review 31, no. 1 (1997): 88, n. 13. "Americas Art Museums and the Broad Canvas of American Racial Thought," The Journal of Blacks in Higher Education, no. 16 (1997): 49. Alan G. Artner, "More than a Century of Collecting: African-American Artists Richly Covered at Institute," Chicago Tribune, Feb. 27, 2003, ill. Susanna W. Gold, "Review Essay: Modern Spirit," Modernism/modernity 19, no. 3 (2012): 603. Kimberly Laurren Glenn, “Chicago and the Visual Art of the ‘New Negro Movement,’ 1925–1940” (PhD diss., University of Iowa, 2013), 94. Paintings at the Art Institute of Chicago: Highlights of the Collection (Art Institute of Chicago/Yale University Press, 2017), 90. Jo-Ann Morgan, "Review of "Beholding Christ and Christianity in African American Art" by James Romaine and Phoebe Wolfskill," Caa.reviews, May 2, 2018, http://www.caareviews.org/reviews/3356. Jeffrey Richmond-Moll, “How a Photograph Solved an Art Mystery,” Smithsonian, last modified Nov. 9, 2018, http://smithsonianmag.com/blogs/archives-american-art/2018/11/09/how-photograph-solved-art-mystery. Jordan Carter and Sarah Kelly Oehler, "Black Art Matters to This Prominent Museum," interview by Wendy Altschuler, Forbes, June 8, 2020, https://forbes.com/sites/wendyaltschuler/2020/06/08/black-art-matters-to-this-prominent-museum (ill.). Mary Chappell, "Denise Gardner named Art Institute board chair; believed to be 1st Black woman leader on major US museum board," The Chicago Sun-Times, Apr. 13, 2021, https://chicago.suntimes.com/entertainment-and-culture/2021/4/13/22382400/new-art-institute-board-chairperson-believed-to-be-first-black-woman-leader-major-u-s-museum-board.

    Quick Overview

    Artist
    Henry Ossawa Tanner (American, 1859–1937)
    Date
    c. 1906
    Medium
    Oil on canvas
    Dimensions
    129.5 × 105.7 cm (51 × 41 7/8 in.)
    Type
    Painting
    Classification
    oil on canvas
    Style
    Post-Impressionism
    Place
    Paris
    Department
    Arts of the Americas
    Credit line
    Robert A. Waller Fund
    Accession no.
    1906.300

    Provenance

    The artist; sold to the Art Institute of Chicago, 1906.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001338

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