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    Museum collections / Art Institute of Chicago
    Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini
    Antonio Vivarini. Saint Peter Martyr Exorcizing a Woman Possessed by a Devil, c. 1450. The Art Institute of Chicago. Public domain (CC0).
    AT-00001430

    Public data from the Art Institute of Chicago. Learn more

    Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

    by Antonio Vivarini

    Publications

    Raimond van Marle, The Development of the Italian Schools of Painting, vol. 17 (The Hague, 1935), p. 49. Georg Pudelko, “Ein Petrus-Martyr-Altar des Antonio Vivarini,” Pantheon 20 (1937), p. 284, ill. Margaretta M. Salinger, “A Gift of Two Italian Paintings,” The Bulletin of The Metropolitan Museum of Art 33 (1938), pp. 8–10. Giuseppe Fiocco, “Le pitture venete del Castello di Konopiste,” Arte veneta 11 (1948), p. 20, ill. Bernard Berenson, Italian Pictures of the Renaissance: Venetian School, vol. 1 (London, 1957), p. 200, pl. 84. Rodolfo Pallucchini, I Vivarini (Venice, 1962), pp. 27, 98, no. 20, fig. 20. Rodolfo Pallucchini, “Giunte ai Vivarini,” Arte veneta 21 (1967), p. 200. Fern Rusk Shapley, Paintings from the Samuel H. Kress Collection: Italian Schools, XV-XVI Century (London, 1968), p. 31, under no. K1116. Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 211, 444, 572. Federico Zeri and Elizabeth E. Gardner, Italian Paintings. A Catalogue of the Collection of the Metropolitan Museum of Art: Venetian School (New York, 1973), p. 89. George Kaftal with Fabio Bisogni, Saints in Italian Art: Iconography of the Saints in the Painting of North East Italy (Florence, 1978), no. 236, col. 845. Staatliche Museen Preussischer Kulturbesitz, Gemäldegalerie, Catalogue of Paintings, 13th–18th Century, 2d ed. (Berlin-Dahlem, 1978), p. 470, under nos. 66, 67. Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 295–99, ill. Peter Humfrey, The Altarpiece in Renaissance Venice (New Haven and London, 1993), pp. 166-67, 327 n. 93, 331 n. 7. Ian Holgate, “The Vivarini Workshop and Its Patrons, c. 1430–c.1450" (Ph.D. diss., University of St. Andrews, 1999), pp. 54–57, 288, pls. 29–31. Finarte, Milan, Dipinti antichi, 18 December 2003, under no. 69. Rosa Giorgi, Angels and Demons in Art: A Guide to Imagery (Los Angeles, 2005), p. 81, ill. Jacques de Vorgaine, Théodore de Wyzewa, and Franco Cardini, La légende dorée (Paris, 2009), p. 237, ill.

    Quick Overview

    Artist
    Antonio Vivarini (Italian, about 1415–1476/84)
    Date
    c. 1450
    Medium
    Tempera on panel
    Dimensions
    54.8 × 35.5 cm (21 9/16 × 14 in.); Framed: 61.6 × 41.3 cm (24 1/4 × 16 1/4 in.)
    Type
    Painting
    Classification
    tempera
    Style
    15th century
    Place
    Italy
    Department
    Painting and Sculpture of Europe
    Credit line
    George F. Harding Collection
    Accession no.
    1983.384

    Provenance

    Paolo Paolini, Rome; sold American Art Association, New York, December 10–11, 1924, no. 90, as Quirizio da Murano, to George F. Harding, Jr. [according to Harding Museum papers in the Art Institute archives]; George F. Harding , Jr. (d. 1939), Chicago, from 1924; bequeathed to the George F. Harding Museum, Chicago; offered for sale Sotheby’s, New York, December 2, 1976, no 28, ill., withdrawn; transferred to the Art Institute, 1983.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001430

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