Beach at Cabasson (Baigne-Cul)

Paris, Société des Artistes indépendants, 1892, cat. 312, p. 22-23. [Possibly] Paris, Galerie Le Barc de Boutteville, IIe exposition des Peintres impressionistes et symbolistes, 1892. Paris, Hôtel Brébant, Exposition des peintres Néo-Impressionnistes, December 2, 1892-January 8, 1893, cat. 10. Brussels, Les XX, 1893, cat. 3. Anvers, Second exposition de l’Association pour l’Art, 1893, cat. 3. New York, Fine Arts Associates, Henri-Edmond Cross, April 16 - May 5, 1951, cat. 3. New York, Wildenstein Galleries, Seurat and His Friends, 1953, cat. 57. New York, Guggenheim, Neo-Impressionism, February–April 1968. Tokyo, The Seibu Museum of Art / Fukuoka Art Museum, Fukuoka / Kyoto Municipal Museum of Art, Kyoto, The Impressionist Tradition: Masterpieces from the Art Institute of Chicago, October 18 - December 17, 1985 / January 5 - February 2, 1986 / March 4 - April 13, 1986, cat. 53. Los Angeles, County Museum of Art, A Day in the Country Impressionism and the French Landscape, June 28 - September 16, 1984; traveled to Chicago, Art Institute, October 23, 1984 - January 6, 1985; Paris, Galeries Nationales d’Exposition du Grand Palais, February 8 - April 22, 1985, cat. 136. Paris, France, Musée d'Orsay, Le Néo-Impressionnisme de Seurat á Paul Klee, March 14- July 10, 2005. Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, cat. 53 (ill.). Washington, D.C., Phillips Collection, Neo-Impressionism and the Dream of Realities: Painting, Poetry, Music, September 27, 2014-January 11, 2015. Giverny, Musée des Impressionismes, Color and Light: The Neo-Impressionist Henri-Edmond Cross, July 27 - November 4, 2018, cat. 14; Potsdam, Museum Barbarini, November 17, 2018 - February 17, 2019 [Giverny Only]. Potsdam, Germany, Museum Barberini, Symphony of Colors: Paul Signac and Neo-Impressionism, July 4–Oct. 6, 2026; Kunsthal Rotterdam, Signac. Symphony of Colours, Oct, 24, 2026–Feb. 28, 2027, cat. 76.

Isabelle Compin, H.E. Cross (Paris, 1964), no. 31, pp. 333-34, 117-118. The Burlington Magazine (May 1982), p. vi. Felix Billeter, "Zwischen Kunstgeschichte und Industriemanagement: Eberhard von Bodenhausen als Sammler Neoimpressionistischer Malerei," in Andrea Pophanken and Felix Billeter, Die Moderne und ihre Sammler: französische Kunst in deutschen Privatbesitz vom Kaiserreich zur Weimarer Republik (Berlin: Akademie Verlag, 2001), p. 144. Sylvie Carlier, Le Néo-Imoressionnisme de Seurat á Paul Klee, Exh. cat. (Réunion des Musées Nationaux, 2005), p. 24, p. 132, ill. 133. The Age of Impressionism at the Art Institute of Chicago (New Haven and London, 2008), cat. 53, pp. 116-117 (ill.). Cornelia Homburn, Neo-Impressionism and the Dream of Realities, exh. cat. (New Haven and London: Yale University Press, 2014), 113, 134, 139, 177 fig. 100. Marina Ferretti Bocquillon, "Henry-Edmond Cross and Germany," in Musée des Impressionismes, Giverny, Color and Light: The Neo-Impressionist Henri-Edmond Cross, exh. cat.. (Prestel, 2018) cover image; pp. 19 Daniel Zamani, "’To Paint Happiness’?: Henry-Edmond Cross’s Landscapes," in Musée des Impressionismes, Giverny, Color and Light: The Neo-Impressionist Henri-Edmond Cross, exh. cat. (Prestel, 2018) cover image; pp. 23; 99, 256, cat. 14. Symphony of Colors: Paul Signac and Neo-Impressionism, exh. cat. (Munich; London; New York: Prestell, 2026), 192, 200 (ill.), 290, cat. 76.