The Holy Family with Four Saints and a Female Donor

Manchester, Art Treasures of the United Kingdom, 1857, no. 92, as Beltraffio [sic]. London, Royal Academy of Arts, Works by the Old Masters, 1879, no. 175, as Boltraffio.

A Catalogue of Paintings, Statues, Busts, etc. at Marbury Hall, the Seat of John Smith Barry, Esq., in the County of Chester (London, 1814), p. 9, no. 225; 2nd ed. (Warrington, 1819), p. 9, no. 225. Gustav Friedrich Waagen, Galleries and Cabinets of Art in Great Britain (London, 1857), p. 409. Gustav Friedrich Waagen, Galleries and Cabinets of Art in Great Britain: Being an Account of More than Forty Collections of Paintings, Drawings, Sculptures, MSS. (London, 1957), vol. 4 (supplemental), p. 409. Carlo Ludovico Ragghianti, “I falsi artistici,” Critica d’arte 8 (1961), pp. 16–17, fig. 16. John Maxon, The Art Institute of Chicago (London, 1970), p. 251, ill. Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 136, 571. Anchise Tempestini, “Antonio da Bologna: Uno o due?” Mitteilungen des Kunsthistorischen Institutes in Florenz 25 (1981), pp. 344–52, fig. 6. Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 206–09, ill. Maria Teresa Fiorio, Giovanni Antonio Boltraffio: un pittore milanese nel lume di Leonardo (Milan, 2000), p. 182, ill.