
Public data from the Art Institute of Chicago. Learn more
Spain
Inscriptions
Inscribed lower right: F. Domingo 1878
Publications
“Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247. “Art Institute of Chicago: II – Modern Paintings: The Henry Field Collection,” Art Amateur 21, 1 (1894), p. 19. “The Henry Field Memorial Collection,” Art Amateur 31, 6 (1894), p. 115. William M. R. French, “The Permanent Collections in the Museum of the Art Institute of Chicago,” Brush and Pencil 1, 4 (1898), ill. Charles Francis Browne, “The Permanent Collections in the Museum of the Art Institute: IV – The Henry Field Memorial Collection,” Brush and Pencil 2, 1 (1898), p. 7, no. 21. “Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 140, no. 21. Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 160, no. 121. Frederick Clifton Pierce, Field Genealogy, vol. 2 (Chicago: Hammond Press, 1901), p. 712, no. 21. Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 165, no. 121. Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 177, no. 121. Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 169, no. 121. Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 114, no. 121. Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 118, no. 121. Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture, and Architecture (Chicago: Art Institute of Chicago, 1917), p. 118, no. 121. Art Institute of Chicago, Handbook of Sculpture, Architecture, Painting, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 23, no. 121. Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 23, no. 121. Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago), p. 23, no. 121. Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 134, no. 121. Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 151. Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 128. Mark-Allan Roglán Kelley, “La pintura española del siglo XIX en las colecciones públicas norteamericanas: Una primera aproximación,” vol. 2 (Ph.D. diss., Universidad Autónoma de Madrid, 2001), no. 58.
Quick Overview
- Artist
- Francisco Domingo y Marqués (Spanish, 1842–1920)
- Date
- 1878
- Medium
- Oil on panel
- Dimensions
- 21.9 × 27.9 cm (8 5/8 × 10 5/8 in.); Framed: 50.5 × 56.6 × 8.6 cm (19 7/8 × 22 1/4 × 3 3/8 in.)
- Type
- Painting
- Classification
- oil on panel
- Style
- nineteenth century
- Place
- Spain
- Department
- Painting and Sculpture of Europe
- Credit line
- Henry Field Memorial Collection
- Accession no.
- 1894.1053
Provenance
Henry Field (died 1890), Chicago; his widow, Mrs. Florence Lathrop Field; given to the Art Institute, 1894.
More by Francisco Domingo y Marqués in museum collections
Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.
Open-access museum record · AT-00001519
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