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    Museum collections / Art Institute of Chicago
    Cavalier
    Mariano Fortuny y Marsal. Cavalier, c. 1871. The Art Institute of Chicago. Public domain (CC0).
    AT-00001520

    Public data from the Art Institute of Chicago. Learn more

    Cavalier

    by Mariano Fortuny y Marsal

    Provenance

    Henry Field (died 1890), Chicago; his widow Mrs. Florence Lathrop Field; given to the Art Institute, 1894.

    Publications

    “Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247. Art Institute of Chicago, Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1894), p. 56, no. 27. “The Henry Field Memorial Collection,” Art Amateur 31, 6 (1894), p. 115. “Art Institute of Chicago: II – Modern Paintings: The Henry Field Collection,” Art Amateur 32, 1 (1894), p. 19. Art Institute of Chicago, Annual Report of the Trustees for the Year Ending June 4, 1895 (Chicago: Art Institute of Chicago, 1895), p. 37, no. 27. Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1895), p. 66, no. 27. Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1896), p. 73, no. 27. Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1898), p. 93, no. 27. “Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 140, no. 27. Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 161, no. 127. Frederick Clifton Pierce, Field Genealogy, vol. 2 (Chicago: Hammond Press, 1901), p. 712, no. 27. Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 166, no. 127. Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 107, no. 127. Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 170, no. 127. Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 114, no. 127. Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 118, no. 127. Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture, and Architecture (Chicago: Art Institute of Chicago, 1917), p. 118, no. 127. Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 24, no. 127. Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 24, no. 127. Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 24, no. 127. Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 136, no. 127. Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 153. Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 163 Frederick A. Sweet, “Great Chicago Collectors,” Apollo 84, 55 (1966), p. 190. Claudie Ressort, Mariano Fortuny et ses amis français, exh. cat. (Castres, Musée Goya, 1974), p. 41, under no. 83. Carlos González López and Monsterrat Martí Ayxelà, Mariano Fortuny Marsal (Barcelona: Diccionari Rafols, 1989), vol. 1, p. 349, pl. 197; vol. 2, p. 77, no. EP-0.04.71.

    Quick Overview

    Artist
    Mariano Fortuny y Marsal (Spanish, 1838–1874)
    Date
    c. 1871
    Medium
    Oil on panel
    Dimensions
    13.7 × 10.2 cm (5 3/8 × 4 in.); Framed: 27 × 23.5 × 6.4 cm (10 5/8 × 9 1/4 × 2 1/2 in.)
    Type
    Painting
    Classification
    painting
    Style
    nineteenth century
    Place
    Spain
    Department
    Painting and Sculpture of Europe
    Credit line
    Henry Field Memorial Collection
    Accession no.
    1894.1059

    More by Mariano Fortuny y Marsal in museum collections

    • African Chief

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    • Mirope Savati Gaye

      Mariano Fortuny y Marsal

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      Public collection via the Metropolitan Museum of ArtAT-00014951
    • Camels Reposing, Tangiers

      Mariano Fortuny y Marsal

      1865 · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00018652
    • Moors on Horseback

      Mariano Fortuny y Marsal

      1838–74 · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00018653

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001520

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