Head of a Guillotined Man

Paris, Hôtel Jean Charpentier, Exposition d'Oeuvres de Géricault, (Centenary), 1924, cat. 132. Paris, Petit Palais, Gros. Ses Amis et ses élèves, 1936, cat. 842. Paris, Galerie Bernheim-Jeune, Exposition Géricault: Peintre et dessinateur, 1791-1824, 1937, cat. 43. London, Marlborough Fine Art, Ltd., Théodore Géricault 1791–1824, 1952, cat. 24. Winterthur, Kunstmuseum, Théodore Géricault, 1953, cat. 81. Paris, Galerie Claude Aubry, Géricault dans les collections privées françaises, 1964, cat. 25. Los Angeles, Los Angeles County Museum of Art, Géricault, 1971-72, cat. 90. New York, Salander-O’Reilly Galleries, Inc., New York, Théodore Géricault: An Exhibition of Paintings, Drawings, Watercolors, Prints and Sculpture, 1987, Addendum to catalogue between cat. 26 and 27. San Francisco, Fine Arts Museums of San Francisco, Géricault 1791–1824, 1989, cat. 43. Paris, Grand Palais, Géricault, 1991-1992, cat. 180. Clermont-Ferrand, France, Musée d'art Roger-Quillot, Géricault. Original studies for the Raft of the Medusa: the crystallization of a Romantic Masterpiece, May 30-September 3, 2012.

Lorenz Eitner, “Géricault at Winterthur,” Burlington Magazine 96 (1954), p. 258. Lorenz Eitner, “The Sale of Géricault’s Studio in 1824,” Gazette des Beaux-Arts 6th period, 53 (1959), pp. 119, 125, n. 20. Antonio del Guercio, Géricault, Milan, 1963, p. 148, pl. 65. Jacques Fischer, “Géricault in French private collections,” Connoisseur 58, no. 635 (1965), p. 52. Lorenz Eitner, Géricault’s The Raft of Medusa, London, 1972, pp. 167-168, no. 89, pl. 88. Phillippe Grunchec, Tout l’oeuvre peint de Géricault. Paris, 1978, p. 114, no. 175, pl. 38. Lorenz Eitner, Géricault: His Life and Work. London, 1983, p. 181, fig. 170, 183, 345, n. 133, rev. ed. Milan, 1991, pp. 113–114, no. 175, ill. Michel Schneider, Un rêve de pierre: le Radeau de la Médusa, Géricault. Paris, 1991, p. 105, no. 105, ill. Nina Athanassoglou-Kallmyer, “Géricault’s Severed Heads and Limbs: The Politics and Aesthetics of the Scaffold” Art Bulletin 74 (1992), no. 4, pp. 599–604, 609–18, fig. 5. Luc de Nanteuil, "Géricault. L'Homme et l'oeuvre," Conaissances des Arts (1991), p. 44, fig. 49. Germain Bazin, Théodore Géricault. Etude critique, documents et catalogue raisonné, vol. 6, Paris, 1994, pp. 38-39, no. 2060, ill. Linda Nochlin, The Body in Pieces. The Fragment as a Metaphor for Modernity, London and New York, 1994, pp. 19–22, fig. 15. Lorenz Eitner, review of Germain Bazin, Théodore Géricault: Étude critique, documents, et catalogue raisonné in Burlington Magazine 140 (1998), pp. 761–63, n. 6.