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    Museum collections / Art Institute of Chicago
    Poetic Thoughts in a Forest Pavilion 林堂詩思圖
    Ni Zan 倪瓚. Poetic Thoughts in a Forest Pavilion 林堂詩思圖, Ming dynasty (1368–1644), c. 1371. The Art Institute of Chicago. Public domain (CC0).
    AT-00001596

    Public data from the Art Institute of Chicago. Learn more

    Poetic Thoughts in a Forest Pavilion 林堂詩思圖

    by Ni Zan 倪瓚

    Inscriptions

    Inscription by the painter at the upper right: 林堂竹樹藹交陰 求友嚶鳴亦好音 絃誦諸生時列坐 邑中宓子但鳴琴 七月廿三日寫林堂詩思圖並詩以遺 又新茂才 瓚 In a forest pavilion, bamboo and trees give thickly overlapping shade, Seeking friends crying "ying," I too am fond of music. Reciting to strings, gathered scholars are from time to time arranged and seated, In his district, Master Fu had only to play the qin. On the twenty-fourth day fo the seventh month, I sketched [this] painting of "Poetic Thoughts in a Forest Pavilion," and wrote the poem in order to leave it behind for the multi-talented Youxin [possibly Tang Pan]. Zan. Collectors seals from left to right, top tobottom: 湖颿(帆)鑑賞,王氏季遷珍藏之印,胡鼻山,雨心館主,平安橋主,濟民珍秘,□硯樓藏,墨緣堂 ,王時敏印

    Provenance

    Chi-Chuan Wang (1907–2003; also C.C. Wang), New York and James H. Soong, San Francisco; sold to the Art Institute of Chicago, Sept. 9, 1996.

    Publications

    Osvald Sirén, Chinese Painting: Leading Masters and Principles 3 (London: Lund Humphries, 1955–58), pl. 99B. 王季遷, , 《故宮季刊》 1, no. 3 (1967), pl. 20. 鈴木敬, 《中國繪畫總合圖錄》 1 (東京: 東京大學出版會, 1982), I-91, pl. A 14-015. 《藝苑掇英》 38 (上海: 上海人民美術出版社於, 1988), 16. “Art of Asia Acquired by North American Museums, 1996,” Archives of Asian Art 50 (1997/1998), 101. Stephen Little, “Chinese Paintings in the Art Institute of Chicago,” Arts of Asia 29, no. 3 (1999): 48, fig. 3. Stephen Little, “Poetic Thoughts in a Forest Pavilion,” Art Institute of Chicago Museum Studies 30, no. 1 (2004): 38–39. 小川裕充, 板倉聖哲編, 《中國繪畫總合圖錄. 三編》1 (東京 : 東京大學出版會, 2013), I-28, pl. A 3-097.

    Quick Overview

    Artist
    Ni Zan 倪瓚 (Chinese, 1301–1374)
    Date
    Ming dynasty (1368–1644), c. 1371
    Medium
    Hanging scroll; ink on paper
    Dimensions
    124 × 50.5 cm (48 7/8 × 19 15/16 in.)
    Type
    Painting
    Classification
    hanging scroll
    Style
    Chinese (culture or style)
    Place
    China
    Department
    Arts of Asia
    Credit line
    Kate S. Buckingham Endowment; purchased with funds provided by of the E. Rhodes and Leona B. Carpenter Foundation
    Accession no.
    1996.432

    More by Ni Zan 倪瓚 in museum collections

    • Bamboo, Rock, and Tall Tree

      Ni Zan 倪瓚

      c. 1300s · Painting

      Public collection via the Cleveland Museum of ArtAT-00009985
    • Wind among the Trees on the Riverbank

      Ni Zan 倪瓚

      1363 · Painting

      Public collection via the Metropolitan Museum of ArtAT-00014107
    • Enjoying the Wilderness in an Autumn Grove

      Ni Zan 倪瓚

      dated 1339 · Painting

      Public collection via the Metropolitan Museum of ArtAT-00014192
    • Woods and Valleys of Mount Yu

      Ni Zan 倪瓚

      dated 1372 · Painting

      Public collection via the Metropolitan Museum of ArtAT-00014193

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001596

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