Mountain Brook

New York, National Academy of Design, Thirty–Eighth Annual Exhibition, Apr. 14–June 24, 1863, cat. 6. Brooklyn Museum, Albert Bierstadt, Art and Enterprise, Feb. 8–May 6, 1991, cat. 36; San Francisco, Fine Arts Museum, June 6–Sept. 2, 1991, Washington, DC, National Gallery of Arts, Nov. 3, 1991–Feb. 17, 1992. Washington DC, National Gallery of Art, East of the Mississippi: Nineteenth Century American Landscape Photography, Mar. 12–July 16, 2017; New Orleans Museum of Art, Oct. 5, 2017–Jan. 7, 2018, cat. 82 (Washington DC only).

Barry Gray (R.B.Coffin), New York Leader, January 17, 1863. Fitz Hugh Ludlow, New York Evening Post, May 22, 1863. New York Times, April 24, 1963, 14. Gordon Hendricks, “The First Three Western Journeys of Albert Bierstadt,” Art Bulletin, 46 (September, 1964), 363, no. 244. Gordon Hendricks, Albert Bierstadt: Painter of the American West (Harry N. Abrams, 1974), 117. Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998). Steven Conn and Andrew Walker, “The History in the Art: Painting the Civil War,” Art Institute of Chicago Museum Studies 27, 1 (2001), 60–81, fig. 12. Clare Kunny and Andrew Walker, “Introduction,” Art Institute of Chicago Museum Studies 27, 1 (2001), 5–6. Angela Miller, “Albert Bierstadt, Landscape Aesthetics, and the Meanings of the West in the Civil War Era,” Art Institute of Chicago Museum Studies 27, 1 (2001), 40–59, fig. 1. Margaret Rose Vendryes, “Race Identity/ Identifying Race: Robert S. Duncanson and Nineteenth–Century American Painting," Art Institute of Chicago Museum Studies 27, 1 (2001), 98–99.