Fragment from Christ Carrying the Cross: Mourning Virgin

London, Colnaghi, Paintings by Old Masters, 1952, cat. 6. City of Manchester Art Gallery, Art Treasures Centenary: European Old Masters, 1957, no. 20. Manchester, Whitworth Art Gallery, Paintings from Sir Thomas Barlow’s Collection, 1968, cat. 6. Hampstead, Kenwood House, on long-term loan with other pictures from the Barlow collection, 1997–July 2003. Paris, Galeries nationales, Grand Palais, France 1500: entre Moyen Age et Renaissance, 2010–11, cat. 70c. Art Institute of Chicago, Kings, Queens, and Courtiers: Art in Early Renaissance France, Feb. 26-May 30, 2011, cat. 62.

Ellis Waterhouse, “The Manchester Exhibition 1957,” Burlington Magazine 99 (1957), 415, fig. 21. Martha Wolff, “Reconstitution d’une scène de la Passion peinte par le Maître de Moulins,” Revue de l’art, no. 147 (2005), 58–66, figs. 8–11. "The Story of Art Retold: New Acquisitions at the Art Institute of Chicago," Apollo (October 2008): 46 (color ill.). Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago (Chicago, 2008), 25-30, ill. Martha Wolff et al., Kings, Queens, and Courtiers: Art in Early Renaissance France (New Haven and London, 2011), 131, ill. Yann Quero, Le Maître de Moulins: Peintre de quatre reines de France (Toulous: Éditions Arkuiris, 2022), 403-21. Bruno Amiot, "Le commanditaire du Saint Maurice de Jean Hey," Revue de l'art, no. 219 (2023), 8-17, fig. 3. Sophie Caron, "Jean Hey: Un Flamand en Bourbonnais," Dossiers de l'Art, no. 334 (Dec. 2025–Jan. 2026): 24–25, (ill.).