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    Museum collections / Art Institute of Chicago
    View on the Grounds of a Villa near Florence
    Richard Parkes Bonington. View on the Grounds of a Villa near Florence, 1826. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00001658

    View on the Grounds of a Villa near Florence

    by Richard Parkes Bonington

    View at the Art Institute of Chicago

    Provenance

    Collection of the artist; possibly sold in his estate sale, Sotheby’s, London, June 29–30, 1829, as one of, lot 62, “View in the Environs of Florence”, to Catley for £8.18.0, lot 103, “View in the Gardens of Boboli at Florence”, to Tiffin for £7; or lot 213, “Environs of Florence”, to Glynn for £32.11.0 [buyers and prices according to an annotated copy of the sale catalogue in the Rijksbureau voor Kunsthistorische Documentatie, The Hague]. Possibly H. Gritten, London; his sale, Phillip’s, London, March 13, 1835, lot 104 as “A glowing unfinished Landscape with Ruins, with peacock in the foreground” for £29.11.6 [price according to an annotated copy of the sale catalogue in the Rijksbureau voor Kunsthistorische Documentatie, The Hague]. G. Arnot, 1939 [according to the mount of a photograph in the Witt Library, London]. Arthur Morrison (died 1945), London, by 1940 [see Shirley 1940]; his estate sale, Sotheby’s, London, March 19, 1946, lot 128 for £185 to Roland [price and buyer according to a sale catalogue in the Ryerson Library, Art Institute of Chicago]; Roland, Browse and Delbanco, London, 1946 [this and the succeeding according to the mount of a photograph of the painting in the Witt Library, London]. Peto. Included in anonymous sale Christie’s, London, April 12, 1991, lot 57, bought in. Sold Christie’s, London, November 15, 1991, lot 70 to Richard L. Feigen & Co.; Richard L. Feigen & Co., New York; sold to Carol and Joel Honigberg, Highland Park, Illinois, 2005; gift of Carol and Joel Honigberg to the Art Institute, 2005.

    Exhibition history

    Denver Art Museum, Glorious Nature: British Landscape Painting, 1750-1850, December 11, 1993–February 6, 1994, no. 78. Shizuoka, Shizuoka Prefectural Museum of Art, The Romantic Prospect: Plein Air Painters 1780-1850, June 22–August 15, 2004, cat. 84; traveled to Sydney, Art Gallery of New South Wales, September 4–October 31, 2004; Melbourne, National Gallery of Victoria, November 19, 2004–January 16, 2005.

    Publications

    Andrew Shirley, Bonington (London: K. Paul, Trench, Trubner, 1940), pp. 66, 104, pl. 90. Art Institute of Chicago, Annual Report (Chicago: Art Institute of Chicago, 2006), pp. 32, 34, ill. Patrick Noon, Richard Parkes Bonington: The Complete Paintings (New Haven: Yale University Press, 2008), pp. 324–25, cat. 260, ill.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Richard Parkes Bonington (British, 1802–1828)
    Date
    1826
    Medium
    Oil on millboard, mounted on canvas
    Dimensions
    43.1 × 58.4 cm (17 × 23 in.); Framed: 60.4 × 76.2 cm (23 3/4 × 30 in.)
    Type
    Painting
    Classification
    painting
    Style
    19th century
    Place
    England
    Department
    Painting and Sculpture of Europe
    Credit line
    Gift of Carol and Joel Honigberg
    Accession no.
    2005.291

    More by Richard Parkes Bonington in museum collections

    • French Town, Buildings and River

      Richard Parkes Bonington

      1821/8 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002478
    • Ruins of Archway

      Richard Parkes Bonington

      c. 1827 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00003006
    • Boats in a Harbor

      Richard Parkes Bonington

      c. 1824 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00005815
    • The Doge's Palace, Venice

      Richard Parkes Bonington

      1826 · Painting

      Public collection via the Cleveland Museum of Art

      AT-00009406

    Open-access museum record · AT-00001658

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