
Public collection via the Art Institute of Chicago
AT-00001658View on the Grounds of a Villa near Florence
Provenance
Collection of the artist; possibly sold in his estate sale, Sotheby’s, London, June 29–30, 1829, as one of, lot 62, “View in the Environs of Florence”, to Catley for £8.18.0, lot 103, “View in the Gardens of Boboli at Florence”, to Tiffin for £7; or lot 213, “Environs of Florence”, to Glynn for £32.11.0 [buyers and prices according to an annotated copy of the sale catalogue in the Rijksbureau voor Kunsthistorische Documentatie, The Hague]. Possibly H. Gritten, London; his sale, Phillip’s, London, March 13, 1835, lot 104 as “A glowing unfinished Landscape with Ruins, with peacock in the foreground” for £29.11.6 [price according to an annotated copy of the sale catalogue in the Rijksbureau voor Kunsthistorische Documentatie, The Hague]. G. Arnot, 1939 [according to the mount of a photograph in the Witt Library, London]. Arthur Morrison (died 1945), London, by 1940 [see Shirley 1940]; his estate sale, Sotheby’s, London, March 19, 1946, lot 128 for £185 to Roland [price and buyer according to a sale catalogue in the Ryerson Library, Art Institute of Chicago]; Roland, Browse and Delbanco, London, 1946 [this and the succeeding according to the mount of a photograph of the painting in the Witt Library, London]. Peto. Included in anonymous sale Christie’s, London, April 12, 1991, lot 57, bought in. Sold Christie’s, London, November 15, 1991, lot 70 to Richard L. Feigen & Co.; Richard L. Feigen & Co., New York; sold to Carol and Joel Honigberg, Highland Park, Illinois, 2005; gift of Carol and Joel Honigberg to the Art Institute, 2005.
Exhibition history
Denver Art Museum, Glorious Nature: British Landscape Painting, 1750-1850, December 11, 1993–February 6, 1994, no. 78. Shizuoka, Shizuoka Prefectural Museum of Art, The Romantic Prospect: Plein Air Painters 1780-1850, June 22–August 15, 2004, cat. 84; traveled to Sydney, Art Gallery of New South Wales, September 4–October 31, 2004; Melbourne, National Gallery of Victoria, November 19, 2004–January 16, 2005.
Publications
Andrew Shirley, Bonington (London: K. Paul, Trench, Trubner, 1940), pp. 66, 104, pl. 90. Art Institute of Chicago, Annual Report (Chicago: Art Institute of Chicago, 2006), pp. 32, 34, ill. Patrick Noon, Richard Parkes Bonington: The Complete Paintings (New Haven: Yale University Press, 2008), pp. 324–25, cat. 260, ill.
Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.
Quick Overview
- Artist
- Richard Parkes Bonington (British, 1802–1828)
- Date
- 1826
- Medium
- Oil on millboard, mounted on canvas
- Dimensions
- 43.1 × 58.4 cm (17 × 23 in.); Framed: 60.4 × 76.2 cm (23 3/4 × 30 in.)
- Type
- Painting
- Classification
- painting
- Style
- 19th century
- Place
- England
- Department
- Painting and Sculpture of Europe
- Credit line
- Gift of Carol and Joel Honigberg
- Accession no.
- 2005.291
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