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    Museum collections / Art Institute of Chicago
    At the Circus: The Bareback Rider (Au Cirque: Écuyère)
    Henri de Toulouse-Lautrec. At the Circus: The Bareback Rider (Au Cirque: Écuyère), 1888. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00001687

    At the Circus: The Bareback Rider (Au Cirque: Écuyère)

    by Henri de Toulouse-Lautrec

    View at the Art Institute of Chicago

    Inscriptions

    Signed lower right: HTLautrec

    Provenance

    Gustave Pellet (1859–1919), Paris, by 1926 [Joyant 1926]; by descent to his son-in-law, Maurice Exsteens (1887–1962), Paris, by 1931 [Paris 1931 exh. cat.]. M. Knoedler & Co., Inc, New York, by 1957 [New York 2010 auc. cat.]. Mrs. Charles Sherwood Payson, New York, by 1958 [New York 2010 auc. cat.]; by descent to Anonymous [New York 2010 auc. cat.]; sold, Christie’s, New York, May 11, 1988, lot 21, to Dan Searle (1926–2007), Illinois; bequeathed to Anonymous [New York 2010 auc. cat.]; offered for sale, Christie’s, New York, May 5, 2010, lot 335, bought in., sold to the Art Institute of Chicago.

    Exhibition history

    Paris, Musée des Arts Décoratifs, Exposition H. De Toulouse-Lautrec, 9 April–17 May 1931, no. 49. Paris, Musée de l’Orangerie, Toulouse-Lautrec, May–August 1951, no. 124 (?).

    Publications

    M. Joyant, Henri de Toulouse-Lautrec, vol. I, Paris, H. Floury, 1926, p. 265. M. G. Dortu, Toulouse-Lautrec et son oeuvre, vol. II, New York, Collectors Editions, 1971, p. 150, 151, no. 316 (ill.). Charles F. Stuckey, Toulouse-Lautrec: Paintings, Chicago, Art Institute of Chicago, 1979, p. 126. Bogomila Welsh-Ovcharov, Vincent van Gogh and the Birth of Cloisonism, exh. cat., Toronto, Art Gallery of Ontario, 1981, pp. 100–01. B. Foucart and G. M. Sugana, Tout l’oeuvre peint de Toulouse-Lautrec, Paris, Flammarion, 1986, p. 107, no 314 (ill). Gale B. Murray, Toulouse-Lautrec: The Formative Years, 1878–1891, Oxford, Clarendon Press, 1991, p. 144. Julia Frey, Toulouse-Lautrec, A Life, London, Weidenfeld and Nicolson, 1994, p. 215. Nick Earhart, "Bohemian Rhapsody," Art Talk (Summer 2011): 36 (ill.)

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Henri de Toulouse-Lautrec (French, 1864–1901)
    Date
    1888
    Medium
    Oil on vellum
    Dimensions
    Diam.: 26.7 cm (10 1/2 in.)
    Type
    Painting
    Classification
    musical instrument
    Style
    Post-Impressionism
    Place
    France
    Department
    Painting and Sculpture of Europe
    Credit line
    Patterson/Taylor Acquisition Fund; Mr. and Mrs. Donald W. Patterson Endowment Fund
    Accession no.
    2010.413

    More by Henri de Toulouse-Lautrec in museum collections

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    • May Belfort

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      1895 · Drawing

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      AT-00000304
    • The Laundress

      Henri de Toulouse-Lautrec

      1888 · Drawing

      Public collection via the Cleveland Museum of Art

      AT-00000308
    • Ballet Dancers

      Henri de Toulouse-Lautrec

      1885–86 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000609

    Open-access museum record · AT-00001687

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