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    Museum collections / Art Institute of Chicago
    Christ Carrying the Cross
    Sebastiano del Piombo. Christ Carrying the Cross, c. 1515–17. The Art Institute of Chicago. Public domain (CC0).
    AT-00001724

    Public data from the Art Institute of Chicago. Learn more

    Christ Carrying the Cross

    by Sebastiano del Piombo

    Provenance

    Ochoa-Herrera family, Calle Muñoz y Garnica, Jaén, Spain, by at least 1956 but probably earlier [according to e-mail correspondence of February 19 and 26, 2016, between David Durán and Rebecca Long; copy in curatorial file. See also photograph of painting from 1956, labeled “collection of the widow Ochoa” and “Jaén,” in Arxiu Mas, Barcelona; copy in curatorial file]; sold by the family to Durán Arte y Subastas, Madrid, May 27, 2015, lot no. 78; bought by Goldengate Arts Ltd., Dublin [according to export license of July 23, 2015; copy in curatorial file]; sold to Colnaghi/Coll y Cortés, London and Madrid, October 2015 [according to e-mail correspondence of February 8, 2016, between Jorge Coll and Rebecca Long; copy in curatorial file]; sold to the Art Institute of Chicago, 2016.

    Exhibition history

    New York, Carlton Hobbs LLC, A Joint Exhibition of Old Master Paintings, Sculptures and Decorative Arts Together with Colnaghi and Tomasso Brothers, January 21-30, 2016, no cat. no.

    Publications

    José López-Rey, “Vicente Macip, Sebastiano del Piombo et l’esprit tridentin,” Gazette des Beaux-Arts 78 (1971), p. 353 n. 4. José Gómez Frechina and Nicola Jennings, eds., Sebastiano del Piombo: Christ Carrying the Cross, Colnaghi Studies 1 (London and Madrid: Colnaghi, 2016), ff., figs. 1, 41, 65-7. James Rondeau, ed., Paintings at the Art Institute of Chicago: Highlights of the collection (New Haven and London: Yale University Press, 2025), 29 (ill.).

    Quick Overview

    Artist
    Sebastiano del Piombo (Italian, c. 1485–1547)
    Date
    c. 1515–17
    Medium
    Oil on panel
    Dimensions
    118 × 92 cm (46 7/16 × 36 1/4 in.); Framed: 143.6 × 117.5 × 8.3 cm (56 1/2 × 46 1/4 × 3 1/4 in.)
    Type
    Painting
    Classification
    painting
    Style
    Renaissance
    Place
    Italy
    Department
    Painting and Sculpture of Europe
    Credit line
    Lacy Armour, Ada Turnbull Hertle, Mary Swissler Oldberg Acquisition, Charles H. and Mary F. S. Worcester Collection funds; Wirt D. Walker Trust; Alyce and Edwin DeCosta and the Walter E. Heller Foundation Fund; Estate of Walter Aitken; Frederick W. Renshaw Acquisition, Marian and Samuel Klasstorner funds; Edward E. Ayer Fund in Memory of Charles L. Hutchinson; Lara T. Magnuson Acquisition, Director's funds; Samuel A. Marx Purchase Fund for Major Acquisitions; Edward Johnson, Maurice D. Galleher Endowment, Simeon B. Williams, Capital Campaign General Acquisitions, Wentworth Greene Field Memorial, Samuel P. Avery, Morris L. Parker, Irving and June Seaman Endowment, and Betty Bell Spooner funds
    Accession no.
    2016.15

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001724

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