ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Esther Before Ahasuerus
    Frans Francken II. Esther Before Ahasuerus, 1622. The Art Institute of Chicago. Public domain (CC0).
    AT-00001774

    Public data from the Art Institute of Chicago. Learn more

    Esther Before Ahasuerus

    by Frans Francken II

    Inscriptions

    Signed and dated, lower left: D f francken [inv.] et f. Antw / A° 1622

    Provenance

    Possibly Suzanna Bernoille (died 1649), Antwerp by 1629 [Duverger 1987, p. 156, Doc. 670 and Duverger 1992, pg. 39, Doc. 1580]. Possibly Jan van Meurs (1583–1652), Antwerp [Duverger 1992, p. 267, Doc. 1745, p. 296, Doc. 1769]. Probably Edmund Larken, Esq. (1766–1831), London [this and the following according to annotated sales catalogue at the Getty Research Institute; copy in curatorial file]; sold, his estate sale, Christie & Manson, London, June 16–17, 1831, lot 91 to “Ewart”. Private collection, Belgium; sold, Sotheby’s, Amsterdam, May 9, 2006, lot 11, to Johnny van Haeften, London; sold to The Leiden Collection, New York, 2006 [this and the following according to email correspondence from Salomon Lilian, July 30, 2025; copy in curatorial object file]; sold to Salomon Lilian, Geneva, 2023; sold to the Art Institute of Chicago, 2025.

    Exhibition history

    New York, The Jewish Museum, The Book of Esther in the Age of Rembrandt, March 7–August 10, 2025, no cat no.; Raleigh, North Carolina Museum of Art, September 20, 2025–March 8, 2026; Boston, Isabella Stewart Gardner Museum, August 6, 2026–January 18, 2027 (New York only).

    Publications

    L. Scott Lerner, “Les « Fils » d’Esther: À la recherche du temps perdu comme micro-littérature,” MLN 133 (September 2018), 849–850, fig. 5. Salomon Lilian: Dutch Old Master Paintings (Amsterdam, 2024), no. 1, 4–9. Abigail Rapoport with Michele L. Frederick, The Book of Esther in the Age of Rembrandt, exh. cat. (New York, The Jewish Museum, 2025), 116–117, ill.

    Quick Overview

    Artist
    Frans Francken II (Flemish, 1581–1642)
    Date
    1622
    Medium
    Oil on panel
    Dimensions
    73.5 × 112.8 cm (28 15/16 × 44 7/16 in.)
    Type
    Painting
    Classification
    oil on panel
    Style
    17th Century
    Place
    Flanders
    Department
    Painting and Sculpture of Europe
    Credit line
    In memory of a young boy who delighted in the story of Esther and of all those he loved and who love him
    Accession no.
    2025.261

    More by Frans Francken II in museum collections

    • The Annunciation

      Frans Francken II

      c. 1620 · Painting

      Public collection via the Art Institute of ChicagoAT-00000940
    • Adoration of the Magi

      Frans Francken II

      n.d. · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00022020
    • Allegory of the Death of a Religious Man

      Frans Francken II

      early 17th century · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00024282

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001774

    Powered by Art Trackers