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    Museum collections / Art Institute of Chicago
    Allegory of Science
    Jean Baptiste Carpeaux. Allegory of Science, 1865. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00001794

    Allegory of Science

    by Jean Baptiste Carpeaux

    View at the Art Institute of Chicago

    Inscriptions

    Signed: Bte Carpeaux (right back)

    Provenance

    Commissioned by H. Lefuel for the south facade of the Pavillon de Flore, Tuileries Palace, Paris, 1863; models completed 1865 and in Carpeaux’s studio until 1913; sold, the artist’s atelier sale, Galerie Manzi-Joyant, 15 rue de la Ville-l’Évêque, Paris, December 8–9, 1913, lot 106, to Nelson for 2000 francs [according to Gazette de l’Hôtel Drouot]. Consigned to Gallery Hector Brame, Paris, September 1955 [according to letter from Sylvie Brame to Brandon Ruud, November 24, 2004, copy in curatorial file; see also 1955-56 Paris exh. cat.]; sold by Hector Brame and César de Hauke to the Art Institute, 1957.

    Exhibition history

    Paris, Petit Palais, "J. B. Carpeaux, 1827–1875," 1955-1956, no. 89. Los Angeles County Museum of Art, "The Romantics to Rodin: French Nineteenth-Century Sculpture from American Collections," 28 February – 25 May 1980, Minneapolis Institute of Arts, 25 June – 21 September 1980, Detroit Institute of Arts, 27 October 1980 – 4 January 1981, and the Indianapolis Museum of Art, 22 February – 29 April 1981, nos. 36-38.

    Publications

    Ernest Chesneau, Le Statuaire J.–B. Carpeaux: sa vie et son oeuvre (Paris, 1880), pp. 102–08. Paul Vitry, Carpeaux (Paris, 1912), pp. 67-68. “Sur des ventes: Atelier Carpeaux,” Gazette de l’hôtel Drouot 130 (December 10, 1913), p. 1. Christiane Aulanier, Le Pavillon de flore, Histoire du palais et du musée du louvre 10 (Paris, 1971), p. 85, fig. 93. Paris, Grand Palais, Sur le traces de Jean-Baptiste Carpeaux (1975), nos. 251-53. Nice, Galerie des Ponchettes, Jean-Baptiste Carpeaux, 1827–1875: sculptures, peintures, dessins (1980), no. 28. Musée d’Orsay, Catalogue sommaire illustré des sculptures (Paris, 1986), pp. 80–81. Claude Jeancolas, Carpeaux: La Farouche volonté d’être (Lausanne, 1987), pp. 85–87 (ill.). Michel Poletti and Alain Richarme, Jean-Baptiste Carpeaux, scupltuer: catalogue raisonné de l’oeuvre édité (Paris, 2003), p. 168.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Jean Baptiste Carpeaux (French, 1827–1875)
    Date
    1865
    Medium
    Plaster
    Dimensions
    24 × 36 cm (9 7/16 × 14 1/8 in.)
    Type
    Sculpture
    Classification
    statuette
    Style
    nineteenth century
    Place
    France
    Department
    Painting and Sculpture of Europe
    Credit line
    Ada Turnbull Hertle Endowment
    Accession no.
    1957.246

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    • Allegory of Agriculture

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      AT-00001795
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    Open-access museum record · AT-00001794

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