Woman (Elevation)

New York, The Brummer Gallery, Lachaise, Feb. 27–Mar. 24, 1928, cat. 5. Art Institute of Chicago, Two Centuries of American Art, 1750-1950, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].

Katharine Kuh, “Lachaise: Sculptor of Maturity,” Bulletin of The Art Institute of Chicago 40, 3 (Mar. 1946), 31, ill. Hilton Kramer, The Sculpture of Gaston Lachaise (Eakins Press, 1967), 11. Gerald Norland, Gaston Lachaise: The Man and His Work (George Braziller, 1974), 74. Sam Hunter, Lachaise (Cross River Press, 1993), 23–25. Otto G. Ocvirk and Robert E. Stinson, et al., Art Fundamentals, 7th edition (William C. Brown, 1994), 260, ill. Art Institute of Chicago, Twentieth–Century Painting and Sculpture, selected by James N. Wood and Teri J. Eldelstein (Art Institute of Chicago/Hudson Hills Press, 1996), 32. Virginia Budny, “Gaston Lachaise’s American Venus: The Genesis and Evolution of Elevation,” American Art Journal 34 & 35 (2003–2004), 64, fig. 1. Judith A. Barter, et al., American Modernism at the Art Institute of Chicago, From World War I to 1955 (Art Institute of Chicago, 2009), 49–52, cat. 5 (ill.).