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    Museum collections / Art Institute of Chicago
    One of the Set of the Four Evangelists: Luke
    Alessandro Vittoria. One of the Set of the Four Evangelists: Luke, Modeled c. 1580. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00001901

    One of the Set of the Four Evangelists: Luke

    by Alessandro Vittoria

    View at the Art Institute of Chicago

    Provenance

    Adolph Loewi, Venice, by 1939 [according to Kay Robertson, daughter of Adolph Loewi, telephone conversation, November 22, 2002, notes in curatorial file]; Adolph Loewi, Inc., Los Angeles, 1939 [according to Robertson conversation cited above]; sold to the Art Institute, 1953.

    Exhibition history

    Trent, Castello del Buonconsiglio, "La bellissima maniera, Alessandro Vittoria e la scultura del Cinquecento," 25 June – 26 September 1999, no. 82.

    Publications

    Leo Planiscig, Venezianische Bildhauer der Renaissance (Vienna, 1921), pp. 478–79, figs. 503–06. Art Institute of Chicago, "New Acquisitions," Art Institute of Chicago Quarterly 47, 4 (1953), pp. 70–71. Hans Huth, "Italienische Kunstwerke im Art Institute von Chicago, USA," Miscellanea bibliothecae hertzianae, edited by Leo Bruhns, Franz Graf, Wolff Metternich, and Ludwig Schudt, Römische Forschungen der Bibliotheca Hertziana 16 (1961), p. 518. New York, Parke-Bernet Galleries, Inc., The Elms (June 27, 1962), p. 39, no. 189. Georges S. Salmann, "First Stages in Starting a Collection of Bronzes," Connoisseur 160, 643 (1965), p. 20, fig. 6. John Maxon, The Art Institute of Chicago (London, 1970), p. 225. Anne Michael, Four Terracotta Statuettes Attributed to Alessandro Vittoria in the Art Institute of Chicago, master’s thesis (University of Chicago, 1977), figs. 1–8, 30. Thomas E. Norton, 100 Years of Collecting in America: The Story of Sotheby Parke Bernet (New York, 1984), p. 172 (ill.). Claudia Kryza-Gersch, "New Light on Nicolò Roccatagliata and His Son Sebastian Nicolini," Nuovi Studi 5 (1998), p. 120, fig. 224.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Alessandro Vittoria (Italian, 1525–1608)
    Date
    Modeled c. 1580
    Medium
    Terracotta
    Dimensions
    H.: 58.7 cm (23 1/8 in.)
    Type
    Sculpture
    Classification
    sculpture
    Style
    sixteenth century
    Place
    Italy
    Department
    Painting and Sculpture of Europe
    Credit line
    Kate S. Buckingham Endowment
    Accession no.
    1953.330

    More by Alessandro Vittoria in museum collections

    • The Annunciation

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      AT-00001845
    • One of the Set of the Four Evangelists: Matthew

      Alessandro Vittoria

      Modeled c. 1580 · Sculpture

      Public collection via the Art Institute of Chicago

      AT-00001899
    • One of the Set of the Four Evangelists: Mark

      Alessandro Vittoria

      Modeled c. 1580 · Sculpture

      Public collection via the Art Institute of Chicago

      AT-00001900
    • One of the Set of the Four Evangelists: John

      Alessandro Vittoria

      Modeled c. 1580 · Sculpture

      Public collection via the Art Institute of Chicago

      AT-00001902

    Open-access museum record · AT-00001901

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