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    Museum collections / Art Institute of Chicago
    Rev. Cotton Mather (Son of Increase) Using His Powerful Influence to Overcome the Prejudice Against Inoculation for Smallpox in Boston, 1721 by Sally James Farnham
    Sally James Farnham. Rev. Cotton Mather (Son of Increase) Using His Powerful Influence to Overcome the Prejudice Against Inoculation for Smallpox in Boston, 1721, c. 1915. The Art Institute of Chicago. Public domain (CC0).
    AT-00001908

    Public data from the Art Institute of Chicago. Learn more

    Rev. Cotton Mather (Son of Increase) Using His Powerful Influence to Overcome the Prejudice Against Inoculation for Smallpox in Boston, 1721

    by Sally James Farnham

    Inscriptions

    Cast below image: REV. COTTON MATHER (SON OF INCREASE) USING HIS POWERFUL INFLUENCE TO OVERCOME / THE PREJUDICE AGAINST INOCULATION FOR SMALLPOX IN BOSTON, 1721

    Publications

    Alice R. McGill, "America's Gifted Sculptress," The Philadelphia Press Fiction Magazine, Oct. 31, 1915, 9. Max Kozlov, "Introducing Inoculation, 1721," The Scientist, Jan. 1, 2021, https://www.the-scientist.com/foundations/introducing-inoculation-1721-68275, ill.

    Quick Overview

    Artist
    Sally James Farnham / American, 1869–1943
    Date
    c. 1915
    Medium
    Bronze
    Dimensions
    55.2 × 88.9 × 6.9 cm (21 3/4 × 35 × 2 3/4 in.)
    Type
    Sculpture
    Classification
    sculpture
    Place
    Boston
    Department
    Arts of the Americas
    Credit line
    Gift of Mr. Alonzo C. Mather
    Accession no.
    1926.2193

    Provenance

    Commissioned by Alonzo Clark Mather (1848–1941), Chicago, c. 1915 [according to The Philadelphia Press Fiction Magazine, Oct. 31, 1915]; given to the Art Institute of Chicago, by 1926.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001908

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