Hyacinth Awaiting His Turn to Throw the Discus

“Revue des ventes: Collection de Mme. la baronne Roger de Sivry,” Gazette de l’hôtel Drouot 13, no. 84–85 (March 24 and 25, 1904). L. Barbarin, Étude sur Bosio: Sa vie et son oeuvre (Imprimerie de Monaco, 1910), 109–10. Gérard Hubert, Les Sculpteurs italiens en France sous la Révolution, L’Empire et la Restauration, 1790–1830 (Paris: Éditions E. de Boccard, 1964), 109, no. 1. Stanislas Lami, Dictionaire des sculpteurs de l’école française au dix-neuvième siècle 1, reprint (Nendeln, Liechtenstein: Kraus, 1970), 155. “Principales acquisitions des musées en 1991,” Gazette des Beaux-Arts 119 (March 1992): 71, fig. 242. Ian Wardropper, “Collecting European Sculpture at the Art Institute of Chicago,” Apollo 154, no. 475 (September 2001): 9–10, 12 n. 13, fig. 14. Volker Krahn, “Die Regentschaft von Friedrich Wilhelm III,” Jahrbuch der Berliner Museen 60, Von Italien nach Preußen: Die Entstehung der Skulpturensammlung im Königlichen Museum 1820–1870 (November 2022): 122, fig. 134. For information about the feminized male nude in the neoclassical tradition, see: Abigail Solomon-Godeau, "The Body Politics of Homosociality," in Male Trouble: A Crisis in Representation (New York: Thames and Hudson, 1997), 43-97.