
Public collection via the Art Institute of Chicago
AT-00001973Cheval Turk
Provenance
Arthur Rubloff (d. 1986), Chicago, by 1986; bequeathed to the Art Institute, 1988; accessioned by the Art Institute, 1996.
Publications
American Art Galleries, The Collection of a Connoisseur: Art Treasures Collected by the Late Cyrus J. Lawrence, Esq. (New York: American Art Galleries, 1910), no. 321 (65). Jeanne L. Wasserman, Sculpture by Antoine-Louis Barye in the Collection of the Fogg Art Museum (Cambridge: Fogg Art Museum Handbooks, 1982), pp. 52-55. Glenn F. Benge, Antoine-Louis Barye: Sculptor of Romantic Realism (University Park: Pennsylvania State University Press, 1984), p. 93, fig. 82. Elizabeth W. Harter and Laurence Pamer, “Individuality: Barye’s Aesthetic of the Particular,” in Antoine-Louis Barye: The Corcoran Collection, edited by Lilien F. Robinson and Edward J. Nygren (Washington, D.C.: Corcoran Gallery of Art, 1988), p. 19. Michel Poletti and Alain Richarme, Barye: Catalogue raisonné des sculptures (Paris: Gallimard, 2000), pp. 267-69, cat. A129 or A130.
Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.
Quick Overview
- Artist
- Antoine Louis Barye (French, 1795–1875)
- Date
- 1850–1900
- Medium
- Bronze
- Dimensions
- 27.9 × 45.1 cm (11 × 17 3/4 in.)
- Type
- Sculpture
- Classification
- statuette
- Style
- nineteenth century
- Place
- France
- Department
- Painting and Sculpture of Europe
- Credit line
- Bequest of Arthur Rubloff
- Accession no.
- 1996.602
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