ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesCompliance

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Pocahontas by Joseph Mozier
    Joseph Mozier. Pocahontas, 1868. The Art Institute of Chicago. Public domain (CC0).
    AT-00001977

    Public data from the Art Institute of Chicago. Learn more

    Pocahontas

    by Joseph Mozier

    Inscriptions

    Signed, dated, and inscribed right side, on base, chiseled: "J. MOZIER. Sc: / ROME. 1868"; titled recto, on base, chiseled: "POCAHONTAS".

    Publications

    Lorado Taft, The History of American Sculpture (Macmillan, 1924), 109–110. Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998), 201–202, no. 92. Kirk Savage, “Molding Emancipation: John Quincy Adams Ward’s The Freedman and the Meaning of the Civil War,” Art Institute of Chicago Museum Studies 27, 1 (2001), 26–39, fig. 8.

    Quick Overview

    Artist
    Joseph Mozier (American, 1812–1870)
    Date
    1868
    Medium
    Marble
    Dimensions
    122 × 47.7 × 38.9 cm (48 × 18 3/4 × 15 5/16 in.)
    Type
    Sculpture
    Classification
    sculpture
    Place
    Rome
    Department
    Arts of the Americas
    Credit line
    The Roger McCormick and J. Peter McCormick funds
    Accession no.
    1997.366

    Provenance

    Frank Brykowski, by 1939; by descent to Trudie Brykowksi, Lake Zurich, Ill.,; sold by her to the Art Institute of Chicago, 1997.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00001977

    Request removal·Powered by Art Trackers