Saccomazzone Players

Art Institute of Chicago, Chicago Collects, 20 September - 27 October, 1963. Beijing, Palace Museum, Garden Cultures of China and the West, Apr. 1–June 30, 2025; Suzhou Museum, July 19–Oct. 31, 2025; Ningbo Museum, Dec. 5, 2025–Mar. 8, 2026; Hong Kong Museum of Art, Apr. 23–July 29, 2026 [Beijing, Ningbo Museum and Hong Kong only]. Beijing, Palace Museum, Rejoicing in Woods and Springs: A Journey through Garden Cultures in China and the Wider World, Apr. 1–June 30, 2025, cat. 90; Suzhou China, Suzhou Museum, July 19–Oct. 31, 2025; Ningbo, China, Ningbo Museum, Dec. 5, 2025–Mar. 8, 2026; Hong Kong Museum of Art, Apr. 23–July 29, 2026 (Beijing, Ningbo and Hong Kong only).

Hellmuth Bethe, “The Saccomazzone Groups of Florence,” The Register of the Museum of Art of the University of Kansas, Lawrence, no. 10 (June, 1958), pp. 9 (ill.), 11-12. Hans R. Weihrauch, Europäische Bronzestatuetten, 15.-18. Jahrhunderts, Braunschweig, 1967, pp. 235, 507, n. 273. C[harles] A[very] in Objects for a ‘Wunderkammer’, exhib. cat., London, P. and D. Colnaghi & Co., Ltd, 1981, ed. Alvar González-Palacios, p. 162, under no. 82. Br[ook] in Il seicento fioentino: Arte a Firenze da Ferdinando I a Cosimo III, exhib. cat., Florence, Palazzo Strozzi, 1986, p. 433, under cat. 4.13. Repertorio della scultura fiorentina del seicento e settecento, ed. Giovanni Pratesi, Turin, 1993, vol. 1, p. 89, vol. 2, pl. 341. Rejoicing in Woods and Springs: A Journey through Garden Cultures in China and the Wider World, exh. cat. (Beijing: Gu gong chu ban she, 2025), 147 (ill.), cat. 90.