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    Museum collections / Art Institute of Chicago
    Fall of a Cavalier by Antonin Moine
    Antonin Moine. Fall of a Cavalier, 1831. The Art Institute of Chicago. Public domain (CC0).
    AT-00002004

    Public data from the Art Institute of Chicago. Learn more

    Fall of a Cavalier

    by Antonin Moine

    Inscriptions

    Unidentified plaster cast mark on the lower left front

    Exhibition history

    Possibly Paris, Musée Royal, Salon de 1831, May 1, 1831, cat. 2255. New York, Charles Janoray, LLC, French Romantic Sculpture from Rude to Préault, May 9-June 8, 2001, cat. 12.

    Publications

    Jean-Loup Champion, “Antonin Moine (1796–1849), sculpteur romantique,” Bulletin de la Société de l’Histoire de l’Art français: Année 1997 (1998), pp. 251, 255-8, fig. 11.

    Quick Overview

    Artist
    Antonin Moine (French, 1796–1849)
    Date
    1831
    Medium
    Patinated plaster bas-relief
    Dimensions
    42 × 50.5 × 8.9 cm (16 × 19 7/8 × 3 1/2 in.)
    Type
    Sculpture
    Classification
    relief
    Style
    nineteenth century
    Place
    France
    Department
    Painting and Sculpture of Europe
    Credit line
    Through prior gifts of the Estate of Maribel G. Blum, Robert and Miriam Kagan, Arthur Rubloff, Henry Morgen, Ann G. Morgen, Meyer Wasser, and Ruth G. Wasser
    Accession no.
    2015.475

    Provenance

    Possibly the version in plaster lent by Moine to Paris, Musée Royal, Salon de 1831 [see Explication des ouvrages de peinture, sculpture, gravure, lithographie et architecture des artistes vivans, May 1, 1831, cat. 2255, and Champion 1998, p. 255. Perhaps also relevant is Auguste Préault’s request to Moine to send him “une épreuve si cela est toujours possible” in a letter of March 31, 1842, reproduced in J[ean]-B[aptiste] Galley, Un romantique oublié. Antonin Moine (1796–1849) (Saint-Étienne: Impr. Ménard, 1898), pp. 152-3]. Ernest Legouvé (died 1903), Paris [according to New York 2001; see also e-mail of June 26, 2013, from Charles Janoray to Gloria Groom; copy in curatorial file]; by descent to his grandson, Georges Desvallières (died 1950), Paris [see previous citation]; purchased from the Legouvé-Desvallières family by a French dealer, 1997 [according to e-mail of February 22, 2016, between Charles Janoray and Amanda Block; copy in curatorial file]; sold by him to Charles Janoray, 1997 [see previous citation]; Charles Janoray, New York and Paris, from 1997; sold by him to the Art Institute of Chicago, 2015.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00002004

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