ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesCompliance

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Study for the Resurrection by Santi di Tito
    Santi di Tito. Study for the Resurrection, c. 1574. The Art Institute of Chicago. Public domain (CC0).
    AT-00002135

    Public data from the Art Institute of Chicago. Learn more

    Study for the Resurrection

    by Santi di Tito

    Inscriptions

    Inscribed on former mount (Middeldorf 1938/40, no. 183): "A.13 di Santi di Titi Fiorentino"

    Exhibition history

    Art Institute of Chicago, "Italian Drawings in The Art Institute of Chicago," pp. 38-39, no. 32, pl. 41, cat. by Harold Joachim and Suzanne Folds McCullagh; also traveled to the National Gallery of Art, Washington, D.C., 1979-80. Oberlin, Seattle, Allen Memorial Art Museum, Oberlin College, "From Studio to Studiolo: Florentine Draftsmanship under the First Medici Grand Dukes," October 14-December 1, 1991, cat. 42, cat. by Larry J. Feinberg, with an essay by Karen-Edis Barzman; also traveled to the Bowdoin College Museum of Art, January 27-March 15, 1992; and the Hood Museum of Art, Dartmouth College, April 6-May 24, 1992. Art Institute of Chicago, "The Golden Age of Florentine Drawings: Two Centuries of Disegno from Leonardo to Volterrano," May 26-July 1994, p. 70, under cat. 28; also traveled to the Kimbell Art Museum, Forth Worth, Texas; and the Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, New York (shown in Chicago only). Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago," Apr. 12-June 22, 1997. Florence, Palazzo Strozzi, "The Medici, Michelangelo, and the Art of Late Renaissance Florence," June 6-September 29, 2002; traveled to The Art Institute of Chicago, November 9, 2002-February 2, 2003; and the Detroit Institute of Arts, March 16-June 8, 2003, pp. 345-46, cat. 208 (ill.).

    Publications

    Ulrich Middeldorf, "Old Master Drawings from the Fifteenth through the Eighteenth Centuries: Two Hundred Examples from the Collection of the Art Institute of Chicago, Selected and Described by Ulrich Middeldorf," unpublished manuscript, Department of Prints and Drawings, The Art Institute of Chicago, 1938/40, no. 183. Harold Joachim, Italian Drawings of the 15th, 16th, and 17th Centuries. Compiled by Suzanne Folds McCullagh and Sandra Haller Olsen (Chicago and London, 1979), p. 74, no. 2G1 (ill. microfiche). Simona Lecchini Giovannoni e Marco Collareta, Disegni di Santi di Tito (1536-1603) (Florence, 1985), p. 29. Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 222-23, no. 288 (ill.).

    Quick Overview

    Artist
    Santi di Tito / Italian, 1536-1603
    Date
    c. 1574
    Medium
    Pen and brown ink, and brush and brown wash, heightened with lead white (partially oxidized), over traces of black chalk, on tan laid paper
    Dimensions
    31.9 × 21.7 cm (12 9/16 × 8 9/16 in.)
    Type
    Drawing
    Classification
    ink and wash
    Place
    Italy
    Department
    Prints and Drawings
    Credit line
    The Leonora Hall Gurley Memorial Collection
    Accession no.
    1922.5509

    Provenance

    Peter Lely (1618-1680), London [stamp (Lugt 2092) recto, lower right, in black]. Prosper H. Lankrink (1628-1692) [stamp (Lugt 2090), recto lower right, in black]. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto lower right, and verso lower center, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso lower center, in black].

    More by Santi di Tito in museum collections

    • Study for the Resurrection by Santi di Tito

      Study for the Resurrection

      Santi di Tito

      c. 1574 · Drawing

      Museum collection · via the Art Institute of ChicagoAT-00003582
    • The Agony in the Garden by Santi di Tito

      The Agony in the Garden

      Santi di Tito

      c. 1591 · Drawing

      Museum collection · via the Cleveland Museum of ArtAT-00011888
    • Madonna and Child with the Infant Saint John the Baptist by Santi di Tito

      Madonna and Child with the Infant Saint John the Baptist

      Santi di Tito

      early 1570s · Painting

      Museum collection · via the Metropolitan Museum of ArtAT-00016030
    • St. Thomas Aquinas Presenting His Work to the Crucified Christ by Santi di Tito

      St. Thomas Aquinas Presenting His Work to the Crucified Christ

      Santi di Tito

      ca. 1593 · Drawing

      Museum collection · via the Metropolitan Museum of ArtAT-00020817

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00002135

    Powered by Art Trackers